It’s not a dumb idea per se but I’d rather play a version that’s been (allegedly) optimized for Linux computers, like GOG states on the game’s front page!
I think of it like this: my own personal boycotts do nothing individually, but I am doing a very small something by refusing to be a bridge to grossly evil companies into my communities, and raising the ethical concerns with egregiously bad corporate cultures and business models. And for my own personal comfort, I just can’t engage with products that fill me with disgust due to the taint of who will ultimately profit from my purchase.
On that, when my personal attachment to a creator, studio, or individual game supercedes my disgust or frustration with a publisher’s business models or revenue streams, I try and keep that in the conversation. I play a lot of Warframe, which has some mildly manipulative monetisation like algorithmic discounts and crippleware elements; and PSO2 which is published by a corporation with a large gambling revenue stream, and the game itself has gambling elements in it, albeit surprisingly low on the evil anti-player scale.
And that’s the thing, sometimes I love something enough that I can’t bear to part with it. I find Yoshi-P’s transphobia and support of NFTs to be sufficiently revolting that I can’t play FFXIV anymore, nor will I ever buy anything or even positively talk about anything associated with him ever again; but I’m still subscribed to FFXI. I still plan to buy new mainline Dragon Quest games despite the fact that Square-Enix treats its customers with absolute contempt and has committed to a path of ecological violence against the Pacific.
That said, I think it is a good mental exercise to get in the habit of thinking about who you’re giving your patronage to. Do they have good working conditions? Where do they make their money? Are the leaders shitheads? These things become part of a disposition, and you become part of a cultural conversation, one that’s clearly starting to engage more and more people. Start talking about good developers and especially workers’ coops like KO_OP (handily named) and Motion Twin; or studios with excellent working conditions like Supergiant, Hello Games, or Monolith Soft.
That said, this is all still part of the infamously ineffectual practice of lifestylism. At the end of the day I believe it’s about cultivating a particular set of values and trying to broach them to as many people as possible, and learning to effectively and respectfully communicate them. If you ever do get in the industry or can support people in the industry, that’s when you can actually do something material.
I agree with most of what you said. I think it’s important to be conscious of where our money is going and to be comfortable discussing that with others.
About FF14 and Yoshi-P, however, I’ve actually heard the opposite about his opinion on trans people and NFTs. I heard from my friends (and upon a quick Google search I just did) that he expressed sympathy towards trans community members and that he was trying to keep NFTs out of the game? If you’ve heard otherwise, can you please share the information? I was going to resubscribe to play with my friends, but if you know something, I’d love for you to share it.
I will also check out those companies you mentioned near the end, such as KO_OP and Supergiant!
Yoshi-P is a very talented speaker, I’ll give him that. But you have to look at what he’s actually saying. There’s a very pretty preamble about “I’m sad that society, is this way, so my hands are tied…” which is a technique known as impersonation. Whether or not Yoshi-P himself is a transphobe, I guess I can’t say, but the entire speech itself is just straight up transphobia. He then provides a single sad vignette as if to say that can somehow be generalised across all of society, and not just a particular minority view. The ultimate thrust of things is that the small amount of transphobes in the audience are more important than making trans people feel comfortable or welcome.
After I stopped playing XIV, it got much more obvious in context. If I contrast the freedom of presentation in PSO2, which lets you have control over how masculine or feminine your bone structure is, what sex characteristics your character has, and whether you have a masculine or feminine face and to what extent. Beyond that, there’s also a diverse wardrobe for both “Type 1” and “Type 2” in the game’s parlance (which in itself is super cool) to facilitate how you want to present, even if you don’t want to change your body type.
In FFXIV, I was largely stuck using mods to make sure the clothes I wanted were possible. When the game started official porting previously male clothes to female models, they did so with the caveat that your character absolutely must have prominent breasts. Similarly, going in the opposite direction, all the previously-female gear was really revealing and I think meant to be more funny than serious. Bad luck if you wanted to present femme and not just dress up in obvious drag. This might be better now though, I haven’t played in a year and a half.
re: NFTs
I can’t find where he’s spoken against NFTs in general. “NFTs won’t be in FFXIV” is not a general statement of opposition to them. The most I’ve seen is “making a fun game around cryptocurrency would be difficult”, but no actual firm statement of opposition. If Square Enix is as democratic as they say they are, and given Yoshida is on the board of directors, I don’t think the Square Enix push to NFTs is just unilaterally Matsuda.
I still have to finish FF8 some day. I started it and kind of liked it, but never got into it. Maybe now some of the fan made HD graphics mods for the remaster are finished.
FF6 is peak, though. I have an emulator on my phone with the Woolsey-uncensored romhack version. Love that game.
From a design perspective, I think you could safely pick anything from V to XII and say it’s the best one, honestly. VI and Chrono Trigger really stand out as the most refined in terms of game design and systems from that particular era.
Without spoiling anything, the episodic storytelling style is taken to its limit in the game’s “part II”, and it allows for some really clever writing. VI is one of those games that kept me thinking long after I finished it.
I haven’t played BG1 or BG2, but so far I haven’t felt that BG3 requires prior knowledge in order to understand the story. As for DND knowledge, the only things I know about the game are from the bits and pieces that I glean from watching Critical Role. BG3 is doing a wonderful job filling in the missing pieces of knowledge with really handy tooltips and descriptions of how everything works. If anything, it’s probably the most interesting primer to DND I’ve ever encountered.
First, you won’t spend that money, you can spend that on other things instead.
Second, you can spend the money you have saved this way on products of better companies. For games this may be good indie developers and smaller studios (is that a thing?), but generally for software there is usually a wider range of options, and I mean even actual alternatives.
You could argue that me not paying for youtube premium won’t change a thing. That may sound true, but it isn’t necessarily: if you instead support your creators trough Liberapay or Patreon, then not only Google will get less, but the crearor and toss other platform will get more money, so they can improve their services and keep the lights up. Or like choosing to pay for Cryptpad instead of Google Drive will again besides having Google and their investors getting less, Cryptpad devs (who are very resource constrained, just as mostly any users-first software project because of not being known) will get more.
EA's portfolio has been so thoroughly undiversified that they're looking for a buyer, just like Square Enix, Zenimax, and Activision have been. In that time that EA became enormous, smaller publishers like Embracer, Paradox, Anna Purna, and Devolver have grown as they reached that neglected customer base that EA left behind. Larian has grown by making really good games in a style neglected by EA. EA owns BioWare and got further and further away from making the Baldur's Gate 3 that Larian just made. So yes, it makes a difference.
I really admire your response here as you put my thoughts and feeling about this more eloquently than I could. I really want to incentivize the good work people are doing, and while my dollar going somewhere else might not mean much to EA or Blizzard, it means a lot more to smaller groups who are trying to do the right thing with less resources. It also just feels nice to spend money on something good :)
The first time I played I did it with full color and English dub, and it was good, but it kind of suffers from the “Pick the cat turds out of the sandbox” issue that almost every single one of these games do, where eventually you’re just going from POI to POI on the undiscovered portions of the map and everything gets kind of samey after a while.
I don’t know if playing in Kurosawa mode would be a fresh enough experience to hold me through a second playthrough.
@emeraldheart I'm not frustrated, because it's not a dilemma to me.
Blizzard's glory days are long gone, WOTC does whatever, I had my fun, and J.K. Rowling is a more complex topic. But assuming she's "bad" I'm fine with that too.
The games industry is only bleak if you omit the #indiedev scene. there are so many cool, new games.
E.g. In the last 12 months I have had a blast with Against the Storm, Phantom Brigade and Mechabellum.
I just finished Hollow Knight this week (basic ending, didn’t go out of my way to find items I didn’t organically come across). Metroidvanias and 2d side-scrollers in general haven’t traditionally been my thing, but I was persuaded by Monty Zander’s video and…yeah, it’s as good as everyone says. The world is surprisingly immersive for its format and the gameplay is tight and rewarding. Abilities and enemy variety were always changing the way I played, and the different areas each had their own identities and obstacles. The sense of excitement on unlocking a new area and getting to explore it was on par with Elden Ring.
Unfortunately, I moved on to Kena Bridge of Spirits, which I think is a pretty good game so far, but it has some AA jank that I think stands out more after the fine tuning in Hollow Knight, and the combat is a lot more rote. Trying not to be too harsh though because not everything can be what Hollow Knight is, obviously.
I agree about Kena, which I finished a couple months ago. I liked it, but IIRC I didn’t enjoy the parrying in particular, especially compared to Sekiro. Didn’t feel as polished.
I’m honored! I do hope you enjoy Hollow Knight, it really is a standout.
That’s the thing about Kena, everything feels slower and less responsive than I’ve come to expect from other games. Parrying is weird too because it does this camera…jolt to focus on the enemy you parried, but it’s more like a cut than a pan, so it’s really jarring for my brain and requires a moment of readjustment each time.
Love Hollow Knight! I know you said Metroidvanias aren’t your thing, but if there are two that I would recommend it would be Hollow Knight and Environmental Station Alpha. ESA has graphics that not everyone will like, but you get used to them, and the gameplay is great. Well worth checking out if you want to see more of the Metroid inspiration coming through in the genre.
I have been busy this week so I have played mostly Slay the Spire. Being able to get up and walk away at any time let’s me play in my limited down time at work, or while I am working on dinner.
I’ve also been dabbling in a mobile game called To Arms.
I started playing Factorio about a month ago and I’m completely addicted. I love it so much. I guess there’s not much more I can say about it, given how everybody but me had already heard of and played this game. But it’s definitely my #1 gaming highlight of the year.
As of yesterday, Baldur’s Gate 3. Really love shoving gobbos off of rooftops.
Before that, I think Against the Storm might be my pick. I’m usually not in to city builders past the 2-3 hour mark. Basically as soon as my city is functional I want to try again and make something pretty AND functional. Against the Storm basically has you do that beginning stretch over and over in a rogue-like format. It’s fucking awesome.
Edit: now that I see someone mention Deep Rock I gotta make that my pick. Rock and stone!
I finished Omori a few months ago and it was a standout experience, really enjoyed every moment and could sing a lot of praise on its sound design and usage of gameplay mechanics to tell a story!
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