You can though it’s a bit of a roundabout way of doing it.
P2P releases typically come from private trackers, so you’re having them go from private trackers --> usenet --> public/private torrents
Scene releases that leak to the public typically hit private trackers/usenet around the same time, so you’re having those go scene --> private trackers/usenet --> public/private torrents
In others words anything you’re seeing in usenet has already been uploaded to at least some private trackers & possibly public torrents.
Of course with public torrents anything goes, unfortunately with the demise of RARBG public torrent users are only seeing a fraction of scene/p2p releases. 1337x/TorrentGalaxy does cover some of this but they aren’t covering nearly as much as the RARBG uploaders used to. So IMO if you’re seeing a scene/p2p release that hasn’t already been uploaded at 1337x/TorrentGalaxy then sure go ahead & create the torrent from your usenet download.
Back in the day, and probably even now, as I used to encounter them when I lived in the big city, cam copies were famous on the streets. It was the only way to get a bootleg copy while the movie was still in theatres but you didn’t want to go for whatever reason.
When I lived in the big city, in a not so great area, the guys used to be in the grocery store parking lot or barbers or smoke shops selling the DVDs and before that were selling VHS copies.
And then when LimeWire grew in popularity, people would upload those like they would any retail DVD. And then went on to torrents as those grew in popularity.
And it still continues today for similar reasons. People want the fame that comes with uploading the first copy online or the first decent quality.
I think Satisfactory hits a few of these targets, if you haven’t already tried it. The amount of resources is determined by a map that is not procedurally generated, so there is a hard cap to your resources per minute, though the resources never run out. So end game focuses more on playing efficiently rather than brute expansion.
That reminded of the shitty cam print of Iron Man 1. Started from the Humvee scene a minute before getting blown off. 20-30% was dark or pointed at floor for whatever reason. Godawful audio.
Thought it was a shitty movie halfway though and stopped. Got a good print after Iron man 2 released and faithfully watched all marvel release, many in cinemas, till Infinity war. Now its all available on Disney+ and I won’t watch the new ones after it.
Maybe Techtonica? It just came out on Gamepass. It’s like Satisfactory but in a cave and you can’t just build anywhere… honestly, it’s just another factory game though.
You play Dyson Sphere Program yet? It’ll scratch a lot of itches. Riftbreaker was pretty fun as well. A little meh at the higher levels though.
Slay the Spire and Darkest Dungeon can be played with only a mouse and you don’t need any reaction, maybe when you configure the overlay in the settings for the games it’s then playable with only the keybord. Maybe you can also play Dredge in the passive mode with only one hand and only keybord I havent tried it out with this restriction
I don’t think I’ve seen anyone in this thread mention Telecines at all. It’s a machine that captures the video and audio from the film print directly to digital. A lot of good Cam rips were filmed from the projection booth, and could conceivably be done by a projectionist surreptitiously. Telecines though, required a large piece of equipment and time with a print outside of hours. Likely you’d need to be a manager or owner to get away with it, or have their blessing.
I remember the excitement of finding a Telecine for a movie in theatres rather than a Cam. It felt like striking gold. I bet the people releasing those in scene groups would be treated like gods back then.
Also, Telesyncs, which would be labelled TS, is when you have that high quality cam recording and sync it to a direct recording of the audio. The audio often came from the FM microbroadcast that are designed for hearing-aid users.
https://en.wikipedia.org/wiki/File:35mm_film_audio_macro.jpg Dolby Digital is an image of a digital signal (basically a QR code) that is between the cog-wheel holes on one side. Good Telecine machines are able to record the full surround track from this. That used to be the absolute best you could get while something was still in theatres. Often better than award copies, they had no stupid watermarks.
I second this, it’s what OP is asking for. Word of warning though: this game is hard as hell. It reached a point where I’d spend 2 hours on a level, realize I messed up and can’t salvage this, and gave up. I never got really far.
I thought SpaceChem uses the same mechanic as Opus Magnum where the benefit of optimization is just the player’s place on the histogram. I’m looking for more interaction between machines than that.
trudny temat, bo produkcja lokalna jest zdecydowanie droższa, więc ciężko żeby te ciuchy były za “normalne” pieniądze. mógłbyś też zdefiniować co to dla ciebie oznacza, czyli np ile byś chciał dać za koszulkę (zazwyczaj to koszt 80-90-100zł)
ja wybieram:
second handy
wymianki np sąsiedzkie, ze zajomymi
vinted i podobne strony
freeshopy
ciuchy z różnych inicjatyw, jeśli wiem jak są produkowane (raczej nietanie niestety)
może uda ci się znaleźć kogoś szyjącego i będziecie w stanie się dogadać na jakiś barter
lewacka szmata ma rozstrzał cenowy, bo ozdabia też używane ciuchy
unipride - tęczowe ciuchy produkowane w pl, koszulki od 70 zł, bluzy chyba 140 zł
Dzięki za odpowiedź. 100 zł za koszulkę to nie jakiś dramat o ile oczywiście nie jest szyta w biednym kraju a pracownik zarabia więcej niż parę dolarów tygodniowo.
Przeglądałem jakiś czas temu niektóre sklepy z tym całym fair trade, i trzeba przyznać że niektórzy mają ogromną fantazję jeśli chodzi o ceny. Dlatego szukam czegoś, gdzie bluza nie będzie kosztowała 400-600 zł.
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