They will never achieve anything if they keep playing dumb. There is no reason to choose a “putin lite” over the real deal.
They won’t, unless something slaps them hard enough, maybe? But what would sober them up? Being denied the capture of Kiev - didn’t. Denied on Kharkiv -didn’t. Prigo’s march - didn’t. Prigo’s murder - didn’t. Whole forests burning and towns getting flooded - these didn’t do much. And losing parts of Kursk region didn’t do that as well. Where’s the limit to them? What would exceed their tolerance to humiliation? Idk. They are still happy to suck someone’s ass and direct their anger as the party says.
Russia currently has no culture, as many talents from Ukraine and other states left, as many conscious russian artists left too, TV programs are all about referencing and reproducing songs, movies, ideas of the past. There’s literally a genre of shows based in nostalgic reproduction and it is the only thing other than propaganda that exists and thrives. The whole country is a human centipede that sucks it’s own shit. And it’s impotent to produce anything new. There won’t be a russian Triumph of the Will because russian Leny Riefenstahl is too edgy, too different, too wrong to fit the strict borders of what’s allowed. And you can see even russian fascists like Tesak (Chopping axe) got killed for they don’t toe the line well enough. This fascist state is too afraid of their own creations.
Dead Navalny and opposition on social media are rather useless. They aren’t interesting to anyone, not to the regular russians at all, and even harmful for they focus people’s irritation on their non-existant causes. These rich libs just can’t cut it.
There should be some person or multiple persons to first teach these people to be proud of themselves, to learn that they matter, that they aren’t garbage. To get some self-esteem and disdain to how abused they are. Only then they’d start to form civil and class consciousness. Them laughing at ukrainians at Maidan is them just not getting they themselves do deserve better and can demand that.
Can’t say much on national\race question because (1) I’m too white to feel and understand oppression myself and (2) if a region would like to break out, they’d know better what they want. But (3) I feel, like some of them just can’t do so as long as set leader is supported by Kremlin. It’s a question to solve.
Tzar doesn’t need anything to land one’s ass in jail, but it’d still be followed by traditional beaurocratic procedures just like in RE\USSR and that’s the likely way it’d follow through.
And, also, having Stalker on your acc or purchasing it via russian resellers may serve as a trigger that can make agencies or just your russian teammate tell on you for lulz if your profile wasn’t set to private.
This article misses the point. The logic behind the likely regulation is that: a couple of GSC devs joined UAF (one KIA) and GSC donated to ukrainian funds -> you spend money on their products -> you have financially supported UAF. GSC wasn’t proclaimed a terrorist org (lmao) but laws here can be applied backwards if they’d need so.
Snufkin undoing the cops’ expansionism on natives’ land is rad. Game is short, has it’s downsides as per forum threads about difficult run sequence and being kinda lost on the remote island, but it’s good for everyone who doesn’t even know about moomins, ages 5-99. It’s highlight are watercolor-stylized graphics making the picture look very pretty and good writing, albeit about simple things.
There is a version of it on Internet Archive that I don’t know if it’s from Valve or not. It’s zipped installation of Steam. But I had no luck making it work, it’s webpage renderer still crashes at launch. As I’ve read into it, the old version should work for a while without updates.
He was hired by Tencent after they launched LAD iirc, I remember some news but can’t tell when it happened in the post-covid era.
But I do find small, almost theatrical worldmaps or even sets of locations as a thing writers and designers can use to achieve greater effect. Y5 had Taiga Saejima’s town and mountain locations with vibes very different to what Haruka sees in Sotenboru, and it makes more sense and gives more space for gamedevs to customize these experiences than a gameworld where these are all interconnected walkable locations.
One of the notorious examples in PS3 gen era that’s now can’t be purchased at all. It’s a derpy offroad racing game in what looks like a procedurally generated world emptier than ash deserts in Morrowind.
Yes it is, it’s 100% scripted. And yes, in the environment where you can do like 10 different actions, they start to do their routine adding ones that you used in that cycle before they get reset. In a sense, they act no more natural than monsters from a tabletop game.
But these do make me think that if we talk gamedesign with a LLM as an actor, it should too have a very tight set of options around it to effectively learn. The ideal situation is something simplistic, like Google’s dino jumper where the target is getting as far as it can by recognising a barrier and jumping at the right time.
But when things get not that trivial, like when in CS 1.6 we have a choice to plant a bomb or kill all CTs, it needs a lot of learning to decide what of these two options is statistically right at any moment. And it needs to do this while having a choice of guns, a neverending branching tree of routes to take, tactics to use, and how to coexist with it’s teammates. And with growing complexity it’s hard to make sure that it’s guided right.
Imagine you have thousands of parameters from it playing one year straight to lose and to win. And you need to add weight to parameters that do affect it’s chance to win while it keeps learning. It’s more of a task than writing a believable bot, that is already dificult.
And the way ECHO fakes it… makes it less of a headache. Because if you limit possible options to the point close to Google’s dino, you can establish a firm grasp on teaching the LLM how to behave in a bunch of pre-defined situations.
And if you won’t, it’s probably easier to ‘fake it’ like ECHO or F.E.A.R. does giving a player an impression of AI when it’s just a complicated scri orchestrating the spectacle.
ECHO, the 3rd person action\puzzle game was a fun concept to script in your machine dopplegangers to learn on you (and repeat after you one of the set actions you can do) and reset every cycle.
I don’t think it would work by itself without such limiting.