I’m down with the film, I would actually like to pay to see a new movie, seems like all we get anymore are reboots and basically or just a bunch of the same stuff over and over that executives already know they’re going to make money on.
Even if this movie’s crap, it’ll still be worth it to see something new.
I remember my friend and I discovering Guyver in our local blockbusters. Here in the UK, it was called Mutronics.
The first film is quite silly but lots of fun. The second takes a more serious tone and I’ll always remember it has the voice of Metal Gear Solid’s Snake, David Hayter, in the lead role.
the star trek original series phaser was well done. most everything is part of the type1 that is detachable with a plastic cover that just had a bit of led to make it a type2. The high end lightsabers were nice but pricey. Had a power outage and a green one lit up things pretty good but you could look right at it and not be blinded.
They might add Ben Bova’s Grand Tour, Iain M Banks’ Culture, Anne McAffrey’s Dragonriders of Pern, and Harry Harrison’s Stainless Steel Rat series to the list.
I wonder if this was the reason for my dislike of the costumes in one of the marvel Thor movies. Just remember them looking like a cheap cos player outfit made from plastic.
I remember an old Superman comic. Trapped under a red sun, Supes is powerless, but his Kryptonian supersuit is still indestructible. Supes is bruised and battered but his clothes stay immaculate.
[iirc, the supersuit is made of Kryptonian tech and was originally blankets used to swaddle in infant Kal-El]
Sometimes science fiction tells you something about the people who produced it. Other times, readings of of science fiction tell you something about the people who read it. This essay is ambitious but doesn't ever pause to justify its stark claims about particular works and doesn't quite hold together to the end.
Is anyone else irked that the new “standard” season length is 5 seasons, usually of 12 or so episodes? I know there was a lot more fat to trim back in the old days, but I do miss the 7x23 (ish) structure
(I feel…) One thing really missing from modern shows is the room for characters to breath, stand out, and develop (not just emote, but really change). They seems to be efficiently cutting away all the chances for shows to explore minor characters, chances for different show runners to direct episodes, chances for writers to explore a stupid little plot that experiments a little and takes some risks, etc. But who am I kidding? I just want Cheers, but set in Quark’s bar with Morn, O’Brien spitting facts, Dax, Harry Kim helping tend bar for some reason, and occasionally Troi with either Worf or Riker dropping by like Fraiser and Diane.
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