But because of the huge amount of work to be done on the series, and the timeframe outlined by David Benioff, D.B Weiss, and Alexander Woo, 2027 is sounding like a safe bet for 3 Body Problem Season 2.
I was a little all over the place, but I enjoyed it none the less. I would have liked to see more of the day to day lives of the apes under Proximus’ rule too, but I get that it was a very personal story without much room for that.
I’d give it a solid 6.5, decent, but not nearly as good as dawn/rise/war.
Also Raka was my favorite character. There was an orangutan noise that played after the credits finished rolling that sounded like him, so I’m hoping that means he’s still alive and will be in the sequel.
The whole point of Jenny Nicholson's epic video was that it did NOT, in fact, offer a "unique, interactive 48-hour movie-like adventure."
That Screen Rant article was almost certainly planted by Disney PR. No actual employee who had to deal with all that bullshit would write something so sycophantic.
Just the fact that even PR people try to breakdown costs by extremely over-inflating costs and they still come up short! And that's not even including the fact that the hotel itself is not as good as the most premium Disney Resorts, but this one is more expensive?
I don't hate the idea of midichlorians, honestly. Or rather, I do hate them but I think that's the point - to show that the jedi have kind of lost their way, are judging everything by "midichlorian counts" and tried to standardise and automate the process as much as possible rather than properly considering the human element and doing things on a case-by-case basis. If it's not the point then, well... it should be.
I think there are some decent ideas in the prequel trilogy, I just think the execution was pretty bad.
Agreed. The same way I disliked how whiny Anakin was but it made sense in context that Vader was this emotionally stunted kid with a traumatic childhood he couldn’t get over.
George, you don’t even own your movie anymore. The mouse bought it for four billion dollars.
Art belongs to its audience. Nobody has a right to censor it after-the-fact - least of all the artist. If you wanted it to be yours alone, you had the choice, and you instead decided to publish. Any control after that is a gift from us to you, and it’s a gift for the explicit purpose of getting us more art.
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