The game is rendered at a lower resolution, this saves a lot of resources.
Then dedicated AI cores or even special AI scaler chips get used to upscale the image back to the requested resolution.
I get that much. Or at least, I get that’s the intention.
This is a fixed cost and can be done with little power since the components are designed to do this task.
This us the part I struggle to believe/understand. I’m roughly aware of how resource intensive upscaling is on locally hosted models. The necessary tech/resources to do that to 4k+ in real time (120+ fps) seems at least equivalent, if not more expensive, to just rendering it that way in the first place. Are these “scaler chips” really that much more advanced/efficient?
Further questions aside, I appreciate the explanation. Thanks!
This really does not sound healthy. The game is released, for a certain amount of money. If people don’t like what they get for their money, they simply should not buy it....
The dev seems to have a good publisher that’s on their side, which is nice to see. I find it bizarre that this rebuttal comes in response to the CEO of Hinterland Studios, the devs of Long Dark, which was in early access itself for ages. Dunno if they think they’re above it all now, but you’d think they would at least be sympathetic of devs facing that kind of shit. Probably just CEO saying CEO shit. Hopefully the Manor Lords dev doesn’t let it get to them much, or at all.
Eh, EA can certainly be a problem, but it’s also an incredibly useful resource for devs operating in good faith, opening up the field for talent that would otherwise be priced out of making a game at all. Personally, I’m ok ignoring money grabs if it means the barrier of entry for resource starved talent is lowered.
Not only are the numbers weird, the games within the series (more than just the main 3) came out as exclusives to a wide variety of platforms. KH has such a bizarre history.
If I remember right, that game also had bugs with knocked out enemies that made it just about impossible to get the non-lethal achievement (bosses don’t count towards it, fwiw).
Here, I’ll translate - “We need an undervalued and underpaid studio that we own to pop out a viral sensation we can exploit the shit out of, who we will then treat exactly the same. Repeat ad nauseam”
and the Dev picks sales on Steam, not the publisher.
Do you happen to have a source for this? It was my understanding that the publisher handled all distribution. Hence the name. And if I’m wrong, I’d like to fix my misunderstanding.
I fully believe that particular occurrence was just people blindly voting for the games they recognized. Tbh, I’d be more disappointed if it was a coordinated effort. Highlighting a smaller game that is is great would be exponentially more effective and beneficial than using the awards to complain about a game you don’t enjoy playing. The studios aren’t going to notice, and neither will most people (like me), so it’s really just wasted effort.
“Mod Support” means (or at least, it used to) the game has structures in place to allow modifications, not that the company is paywalling mods that they “approve”. I’m not sure what the latter is called, but I’m quite sure there’d be a massive uproar if MS/MJ did that for java edition. I know I’d never play the game again, that’s for sure.
Straight up just a Switch attached to a head strap. Hilarious. Also, I’m positive people would pay legit money for a game that lets them put AC furniture in their house with AR.
“Thanks for your support in growing this community without any compensation from us that we will throw in the trash the moment it becomes less than profitable. You can continue your unrewarded work for our new and ‘improved’ product that will face the same fate in just a few short years!”
IANAP, but isn’t universal expansion understood to be accelerating? How would “weakening forces of nature” account for that? Assuming this energy could be “lost” (breaking an even longer standing and well tested principle of physics), that loss wouldn’t accelerate anything. At best the speed would remain neutral.
I’ve only played it a bit so far, but it’s been enjoyable fwiw. I’m pretty into looters and survival games, though, so if that’s not your bag, I can see it seeming boring. I find arena pvp shooters repetitive, personally. Everyone’s got their own interests.
Everything sounds boring if you describe it that simply.
While I generally just like survival and looting games, the setting and story are also quite interesting to me in Pacific Drive, and while I’ve only just started, the hazards are already becoming serious concerns in each level. I can’t say if it’s gonna be amazing or anything yet, but it’s been enjoyable so far.
If someone was into survival games much and liked the settings of games like Control, I’d figure it’d be worth a try.
Sorry it bugs you, but it’s far better than the entirely uninteresting/unoriginal “Doom-like”. I get it’s standard practice at this point, but I’m happy whenever we get an actually interesting, poignant name.
“Originality” is overvalued. Yes, it’s an important aspect, but even near-clones can be great. Just look at Stardew Valley vs Harvest Moon.
Imo, the real key to making a great game (along with skill) is heart/care. If a dev is only making a game to make bank, it’s going to come through. And when a game is made with care and attention, that comes through in spades. All of these games have creators that clearly care about the game itself and, while they are being rewarded for their efforts, that wasn’t and isn’t their primary drive in developing or maintaining the games.
Instead it refers to something that the intended consumer has no, or little, reference for.
I’d argue that’s novelty, not originality, though you may be right in that it’s what was meant. I’d still say that’s not the critical piece in a successful game. Passion and care matter much more, imo.
This is why a lot of sites demand an account log in if the user disables cookies (or at least they did for a while). They need those cookies to link the activity to a user, and since they can’t do that secretly anymore, they just force the issue with a user account the user “chooses” to make.
“Out of the blue”. They were gobbling up studios as nothing more than assets. Any “good” that came of that process was purely incidental and this sandbag dumping when they started to sink was inevitable.
Today, on February 28, nearly five years after Control’s initial launch, Remedy Entertainment, the team behind the Alan Wake, Quantum Break, and Control series, released an announcement regarding a deal between them and 505 Games, detailing a full transition to Remedy acquiring full rights to the franchise. While Remedy...
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$700, and the side by sides look barely different, from my perspective. The chat seemed to have the same opinion.
The worst of both worlds angielski
Devs should not be "forced to run on a treadmill until their mental or physical health breaks", says publisher of Manor Lords, citing how gamers seem to be trained to expect endless content work now (www.eurogamer.net) angielski
This really does not sound healthy. The game is released, for a certain amount of money. If people don’t like what they get for their money, they simply should not buy it....
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