I think it’s just because it was the dominant monetization scheme when they were introduced, people got used to spending nothing up front on their mobile games. Then there are other barriers. Like why would I pay $15 for Stardew Valley when it probably won’t work with a controller or output comfortably to a TV. You can do some of that stuff sometimes in mobile, but there’s no enforcement of it, so that means you’re getting a lesser version of the game, which drives the price down. I wanted to revisit Planescape: Torment on mobile, but they ported it to Android too long ago, and now it just doesn’t work with modern Android OSes. They’re really teaching me to not treat mobile as a place where people like me should expect to find stuff to play.
They’re not too scared to make Elder Scrolls VI. It’s their next project. It’s just not coming until probably 2028 at the rate they’ve been working lately, and it’ll feel 15 years out of date this time instead of only 10.
I know this is a cynical critique of capitalism, but even so, capitalists love lowering budgets and charging the same amount. Quite frankly, I’d happily pay the same or more to get a game with less bloat in a lot of cases.
I haven’t played the Jedi games, but it’s crazy that the new God of War games are somehow a demonstration of restraint, as that one from 2018 is probably twice as long as I would have liked, and Ragnarok is longer still, according to How Long to Beat.
Here’s hoping! Not only has it ruined a lot of once-smaller games, but it’s also largely responsible for ballooning development budgets, so let’s get that down to something sustainable.
Indicators are showing that Dragon Age is selling just fine. And it’s not like they get to their planning meeting and ask, “Can we spend some more time on the game design? It’s got real problems,” only to be met with, “No, we’ve got to really focus on diversity this quarter.” They’re not related. While I hardly trust Ubisoft to wow audiences with a cool story, it’s not hard to imagine the related struggles that a foreigner and a woman might have to bond over in that setting.
The lead developer of Assassin’s Creed: Shadows is in Quebec. And does it not matter that it’s based on a historical figure? Consider also that in California, you’re just more likely to encounter a diverse group of people, so wouldn’t that just be representing the world around them?
If you want to talk about an honest discussion, consider the sample set you plugged into your search. You didn’t go through two years of articles on VGC or GameSpot. You plugged indiscriminate search criteria into an AI. We just had a discussion a few days ago about how mainstream media is not covering major gaming news, but if you’re reading gaming news outlets, it’s been layoffs for the past two years dominating the news. Gaming news outlets would have very little reason to ever use the word “hunger”, for instance, and “transgender” would apply to far more articles than those about fictional characters.