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Aielman15

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Profil ze zdalnego serwera może być niekompletny. Zobacz więcej na oryginalnej instancji.

Aielman15, (edited )
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Sad to see another dev forced to close.

I admit I had never heard of them nor their games.

EDIT: Apparently the game sucked and nobody bought it? Looking at some random gameplay video, it really looks like a mess.

Aielman15,
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Oh, I see. As I said, I had never heard of them or their games before today, so I was missing the context.

Aielman15,
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Oh, another Dontnod game? Pretty excited for this too!

Aielman15,
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It reminds me a LOT of Zone of the enders, and I loved that game.

Too bad it’s an online-only game.

Aielman15,
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I’m a big Dontnod fan. They really know how to craft an emotional story with some great character interaction and drama. None of their games is perfect, but they are always an enjoyable (and very emotional) ride.

This seems yet another LiS-game-but-different-title-for-legal-reasons (kind of like Tell me why), so I’m really looking forward to it.

Aielman15,
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At first I thought it was another entry in the Tales of franchise and I was confused lol

Seems really fun, the movement looks very fluid and reminds me of Ori.

Aielman15,
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Kojima and incomprehensible trailers, name a more iconic duo.

Aielman15,
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I’m sorry for them, but I promised myself not to buy anything from LoG after the shitshow that was Armello.

They promised an update to bring cross-play to the game, went silent for years, and when it finally arrived, it broke the game to the point that it was more frustrating than fun to play. I waited for a fix for months, and it never arrived. I’m not sure they ever fixed it (to my knowledge, they haven’t), but even if they did, the fact that they took a game I rightfully bought (the premium edition no less, because I really liked it), broke it to the point of becoming unplayable, and left it in that state for months, is inexcusable.

Aielman15,
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The latest entry (Reverie under the moonlight) was a pretty sweet metroidvania, a bit on the short side, but with engaging gameplay and full of charm. I’m happy to see the developer giving the IP another go.

I still have to play their latest game, Minoria. But I like Momodora’s pixel art a lot more.

Aielman15,
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The way it moves seamlessly from isometric to 3rd person shooter is cool. The pixel art is very good-looking. I hope the game turns out to be fun.

It’s worth mentioning that there is a demo available on Steam: Holstin Steam Page

Aielman15,
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And still no news of the sequel.

Aielman15,
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Rewards is being moved from its own app to the Xbox app. Everything will keep working as usual.

Aielman15,
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It wouldn’t have changed much. It’s great that they are polishing the game and fixing its performance issues, but the main problem with the game is that it’s just not fun, and no amount of polishing can change that.

A few people can find enjoyment in this game and it’s good for them, but the majority will simply keep ignoring it and play one among the dozens of better received games that released just this year alone.

Aielman15,
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Is the entire gaming industry collapsing?

It seems like I’m reading headlines similar to this one almost daily, as of late.

Aielman15, (edited )
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I’ve been playing Dead Space Remake, since it’s been released on GamePass. Had to jump through some hoops to get my Xbox account linked to EA, but eventually managed to do it and I’ve been playing it for the past two weeks.

Just reached chapter 8 (comms array). So far, it’s good. I’ll preface saying that the last time I played the original Dead Space was five or six years ago, so my memory is a bit fuzzy, but I feel like the game’s a lot more balanced than the OG, although not overly difficult. I remember blasting my way through hard mode with nothing but the starting gun back in the days, but I am playing more conservative here because I feel like ammo drops are scarcer, and stasis stations are a lot rarer than they were originally.

Finding all the guns in the wild instead of having to build them first lets you playtest them against real opponents, and having half the tech tree locked until you progress enough means that you are more incentivized in using them. In the original, I’d main the starting gun and install all my power nodes on it, while in the remake I’m acquiring nodes faster than I’m able to unlock upgrades for the guns, so I’m spending them on my side weapons. The ripper is still as gloriously broken as I remember it!

I like that they didn’t rely exclusively on the procedurally generated enemy spawns, nor on the hand-made encounters, but have a mix of both. Procedurally generated content tends to fall flat because a computer doesn’t know how to set the mood and jump scare you appropriately; while hand-made content tends to grow stale after you play the game once or twice (or reload the same section to complete it with more ammo/health). A mix of both is the best of both worlds, and I’m positively surprised by how well it works in practice.

As for the most discussed improvement in the game, the interconnected world, I honestly find it… okay, but I’m not blown away by it. It works in games like the OG Resident Evil because you have a bit more control over where to go, how to tackle specific threats, and what enemies to expect in each room. I remember myself planning ahead the best route to reach my destination inside Spencer’s mansion or the police station. But Dead Space remake is still a fundamentally linear experience from start to end, so the ability to backtrack to previously explored areas is never fully utilized.

This is further exacerbated by a map system that I find too clunky to use (it’s very slow and sometimes confusing when there are too many levels), the lack of precise notation (security doors are fully visible, but master override chests are one of many small icons that I’d never find if I didn’t know where they are to begin with, and lockers do not appear on the map at all), and the frequent lack of proper rewards for backtracking.

I tested the system as soon as I was given a chance. After I completed the second level and got my first security clearance, I backtracked to the security door situated on the tramway halfway through the first level. I got ambushed by six (!) procedurally-spawned enemies on my way there, just to find common loot inside the room.

At first I was confused by this, but now that I’m halfway through the game, I understand how the system was designed: The developers didn’t expect you to backtrack at your leisure. Instead, they carefully placed locked rooms and lockers at just the right clearance level, that you’re supposed to have when the linear story gets you near those locked rooms. The level 1 clearance door on the first level? You can get it quite easily on chapter 6, when you pass by that room. The same applies to side missions as well. They are designed so you can complete them on your way to the main objective with very little extra effort.

I don’t hate the game for this. I loved the original and I’m totally fine with the remake being another linear experience. I’m just confused by the design principle: they talked extensively about making the world more interconnected and adding side content and optional exploration on the side, but it ended up being just more content that you do while you progress through the linear story, rather than making it work properly as an open-ended experience, and I feel like the attempt at making the remake feel more open ended than it was originally largely failed for me, as I never felt truly in control of where to go or when to complete certain side quests or get some loot that was previously inaccessible.

As for the changes in the story, I’m only halfway through the game, and I don’t want to tackle the argument until I have the full picture of the story. I’ll only say that I liked some changes, I was okay with others, and I’m a bit dubious about a handful. One of them is Hammond, who is a lot less present in this first half of the game compared to the original; the other is Temple and Cross, who I like so far, but I feel like they are two completely different characters whose role could have been given to new characters instead of replacing their original storyline. But as I said, I’m only halfway through the game, so I may change my opinion on this.

TL;DR: I’ll write my full opinion on the game when I finish it, but I’m liking it so far and I think it’s a valid replacement for the original if you never played it and don’t want to buy both. Some changes are appreciated, others less but don’t detract from the overall experience, and the game for the most part feels like “the original, but improved”, which is a perfectly valid spot to land on when you are developing a faithful remake. The game feels and plays like the original, but still manages to bring something new for who, like me, played the hell out of the first game back in the days.

Aielman15,
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TL;DR: The game only has two developers, who are also married. Unfortunately, one of them has been diagnosed with cancer, and coupled with the usual 2020 struggles, they don’t have enough money left to pay for active developers.

From the story and their words, they seem really passionate about the project - they are former developers from another MMORPG game. It seems like they are putting the game on “life support”, hoping to see some improvements in the sales. If things don’t change, the project will ultimately be halted.

It makes me sad. I don’t have any interest in MMO games, but they seem genuinely good people who tried their best. And cancer sucks, and seems like it’s late stage too.

Aielman15, (edited )
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When I was a kid, my brother and I would play a lot of single player games together by swapping controller every time a level was completed or a life was lost. Mainly Crash Bandicoot, which was a favourite of both (his favourite was Warped and mine was Cortex Strikes Back), although we also played Spyro, Ape Escape, Abe’s Odyssey, Metal Gear Solid and the Resident Evil series this way, too (with slight variations to take into account for the longer levels).

We’d also play Crash Team Racing in competitive mode too. We didn’t have the 4-players thingy, so when friends came home, we’d swap controllers regularly. Fun was guaranteed for hours. I miss those times.

What did you think of Sea of Stars? angielski

I thought that it was overall good fun. The battle system is excellent and the music is great. The characters are cool and generally quite enjoyable. However, the standard ending of the game really annoyed me. It’s totally anti-climactic. I really don’t want to go back and do a bunch of side quests (collectathon in...

Aielman15,
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The gameplay is fantastic and offers a lot of variety (especially as you grow your team and unlock more skills and combo attacks), and the art style and art direction, locations, and the soundtrack are beautiful. I had a lot of fun exploring, looking for treasure, talking to everyone, finding tons of secrets and side quests. The story is very much cliché and mostly an afterthought, but it’s fine (not bad, not good, just fine) and the cast is cute.

Unfortunately, 2/3 into the game, the developers either depleted their budget, or they stopped giving a shit. The story feels super rushed in the last act, and the ending is downright insulting. Half the cast enters a portal at the end of the second act, and you never see or hear from them again. One of the main party members goes like “Oh my, this thing I just discovered changes everything, I need to study this more” but you never see them again until the very end, and they don’t do anything, nor do they say why the thing they found was important or what did they study. A lot of things that were foreshadowed or hinted at, like the legendary sea slug or the Queen that was, are just random optional bosses scattered in the game’s world with no purpose or backstory whatsoever. Most don’t even have a dungeon attached to them. The true ending is a slap in the face.

I loved the game, but the last act and the ending really soured my experience with it.

Aielman15, (edited )
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I’d have to spoiler tag the entire message to be able to reply to that.

spoilerFor a multitude of reasons. First of all, the true ending is achieved by collecting random Shells around the world. Sure, you have a magical parrot telling you where the missing chests are, but in my case it would tell me that a chest was missing in the Flooded Graveyard, and I’d spend four hours straight going up and down the same map over, and over and over again, until I finally gave up and looked for an internet guide to tell me where the missing chest was. I’m a completionist, but I don’t care about achievements: I like exploring maps and collecting stuff and finding secrets, but I hate random, pointless collectibles and I never care about them in the games I play. Having them tied to the true ending was a huge mistake IMO and ruined my experience. Secondly, as I said in another comment of mine: I despise time travel. Always. It just doesn’t work, unless you put a lot of thought into it, and the Sea of Stars developers clearly didn’t even try. Garl’s chapter was probably the most emotional moment of the game, but the true ending comes and says “Yeah, no, he’s alive and well, and actually it never happened. B’st did those things, not Garl”, which doesn’t make any sense as B’st did not know Garl and would not be able to imitate him, nor do the same things he did. The purpose of reviving Garl was for him to throw an apple at the bad guy to taunt him and have him choose to fight in place of his minion? Seriously, you go through the hassle of collecting all conches, and that’s the only thing that differs from the normal ending. The rest plays out exactly the same. You defeat the Fleshmancer, and… Resha’an shows up, takes his bf into a portal with him, doesn’t say a word to the party, and goes away. And everyone’s happy. To say that I was underwhelmed is an euphemism. I was expecting some new revelations, some closure, but all I got is a slightly different turn of events with a different boss fight and an equally disappointing ending. Meanwhile, dozens of questions remain unanswered. What was Resha’an researching? What the heck was the “night” inside of Zale, and why had he to confront it? Valere is able to fly just as well as he does, and has no night inside her at all. Why was Serai hiding her true identity from her crew? What happened to Brugaves, the Acolytes and the Dweller? (Yes, I know that they end up being boss fights in the Messenger, but I should NOT be required to play an entirely different game to have some closure to this storyline. That would be like Capcom asking their players to play Monster Hunter to know what happens to Ada in Resident Evil)

Aielman15,
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I played Plague Tale 2 this summer. It’s a wonderful game and very much worth experiencing, but it would crash every time I opened the skill tree and the crafting tree. I tried contacting the devs about it, offered every info I had (system info, steps to replicate the bug, things I already tried to solve the issue, etc).

At first, customer support gave some generic advice (check files, uninstall/reinstall, update drivers, etc). Then they directed me to the Discord server of Focus Entertainment. Like, what? Why the heck is everything a Discord server nowadays? Why do I need to join a Discord server to get customer support?

But anyway, I did. They told me that, in the Discord server, I’d be able to talk to some developers. Instead, there were only a bunch of people from the marketing team, and they didn’t even bother with answering me. When I tried contacting customer support again, they didn’t reply to my email.

I’m 100% positive that I was not the only one who had found said bug, because I found a bunch of people on Reddit and Steam discussions reporting the same problem. As far as I know, it still hasn’t been patched.

So, not only do you have to deal with dozens of people before you’re actually able to reach the department that can actually deal with your problem. Sometimes, you are not able to reach the department at all. But hey, you can chat with someone from the marketing team on Discord! (If they actually bother with answering you at all, that is)

Aielman15,
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It crashed on me whether I’d scroll slowly or fast. Oftentimes just hovering on one of the perks was enough to make the game stop working.

I’d have to reset the pc and replay the same section over a dozen times just to get one upgrade. It was infuriating.

Aielman15,
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I’ve never found sex scenes in games appealing. First of all, there’s rarely any build up to them. If there is, it’s just sitting there, listening to an NPC talking about themseves for 10 minutes and selecting the “good” answer to gain “affinity points” and proceed with the dialogue.

Then you get to the sex scene, and it’s either fade to black immediately (hopefully), or two uncanny valley dolls touching each other for a few seconds.

After the sex scene, the partner becomes another NPC, sitting there doing nothing, having completed their purpose. So inspiring.

Aielman15,
@Aielman15@lemmy.world avatar

Just finished Sea of Stars. I never 180’d from a game so much.

I started it a week and a half ago, and I was in love with the game. The story was cliché, sure, but everything else was perfect, and the characters were kind of cute.

But the third act feels too rushed and the ending… Oh boy, the ending. It just doesn’t feel like an ending at all. I was extremely disappointed with it, and too many setpieces just led to nowhere.

And the true ending was even worse, in that it not only has very arbitrary requirements to unlock (including finding all 60+ collectibles scattered across the map in random locations), but ruins one of the best and arguably the most emotional moments of the game as well.

spoilerI despise time travel. Always. It just doesn’t work, unless you put a lot of thought into it, and the Sea of Stars developers clearly didn’t even try.

Aielman15,
@Aielman15@lemmy.world avatar

Let’s add this to the list of shitty anti-consumer choices that big tech corporations have implemented this year.

IIRC Microsoft still hasn’t reverted on their asinine choice of locking their console players into their overpriced branded SSDs.

Aielman15,
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All this error code seems to be doing is requiring third party hardware to go through proper checks to verify hardware.

Translated: They want third parties to pay for the “Xbox seal of approval”.

Aielman15,
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I enjoyed DS3 for what it was. The lore went surprisingly deep and the story was fun, although the love triangle was too distracting and the co-op partner was pretty much absent from the story if you weren’t playing with another player.

It was yet another game that tried to stray from its roots to chase the CoD golden goose. That generation was full of them (I remember being extremely disappointed by Resident Evil 6 and Ace Combat Assault Horizon). Dead Space 3 was, IMO, the game that managed to strike some semblance of balance between its two souls, at least compared to all those other COD copycats. Of course, that doesn’t mean that it was a great game, or even a good game, but I appreciated it for what it was.

Aielman15,
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This is the GOTY of internet comments.

Aielman15,
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I’ve been eyeing this one for a while. Kind of reminds me of Stronghold in its heydays.

Aielman15,
@Aielman15@lemmy.world avatar

Sea of Stars.

Story is a bit too cliché at the moment, but graphics, soundtrack, gameplay and exploration are top notch. It really captures the feeling of being a kid, coming back home from school and playing those old school JRPG, but the QoL features make it much more enjoyable, and it doesn’t waste your time like those games.

I’m really satisfied for now. I also like the cast, it’s a nice change of pace from the edgy/moody characters that lots of JRPG seem to have. Sitting down at the firepit and listening to the two protagonists joking and having fun among themselves really makes me like them.

My only gripe is the story. As I said, it’s a bit too much on the “generic” side. Like, it’s not bad, I’m having fun, but it feels like, you know, been there, done that. Hopefully it gets better later on.

Aielman15, (edited )
@Aielman15@lemmy.world avatar

I totally agree, Garl is awesome.

At first I thought he was the comic relief guy, and I’d spend the following 20-40 hours listening to cringe-inducing Marvel-like humor. Instead they crafted a character that was funny but never over-the-top, and actually proved useful a few times (especially on a chapter that I won’t discuss because I’m not sure how spoilers work on Lemmy and its various applications yet).

I have not finished the game yet, and although the story is a bit cliché, it also has a few good moments, and I’m loving the cast so far.

Summary of some Minecraft game cheat commands angielski

For those who do not have much experience and skills in playing Minecraft, it is also very normal for them to help themselves by using some cheat codes and cheat commands. The following article will guide you through some Minecraft game cheat commands for convenience during the initial gameplay. Minecraft is one of the few games...

Aielman15,
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A wall so thick, you could use it to cut Berlin in half.

Aielman15,
@Aielman15@lemmy.world avatar

It’s worth mentioning that they will also give away The Evil Within 2 next week.

Aielman15,
@Aielman15@lemmy.world avatar

I’m kind of used to devs releasing apologies for their games after a bad release and the following review bombing. It’s almost guaranteed to happen for any modern AAA game, it’s the sorry state of the industry. But now, we’ve reached a point where devs apologize for their games before they’re even released. This shit is hilarious.

What’s next? “We’re going to release a game four years from now. You should temper your expectations, it’s probably going to suck.”

I mean, kudos to them for warning the potential customers, instead of lying to them or luring them in with nice trailers and trying to silence journalists by prohibiting them from showing game footage (I think I remember someone doing that…). Although I’m not sure how I should thank them. Should I buy the game because they were honest? Or should I not buy it, because, well, they were honest? I’m confused.

Aielman15,
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I finished Spiritfarer, and I gotta say, I was underwhelmed. The game told me I was the new Charon and promised me an emotional experience of helping spirits come to terms with whatever was holding them back before disappearing forever.

What actually happened, is that I found myself in the company of very demanding (and, often enough, even quite rude) spirits who never actually bothered with interacting with me on anything more than a very superficial level, mostly just to ask for arbitrary and very specific things. “Stella, I want Fried Chicken” (which requires ingredients that you can only craft hours later). “Stella, I want expensive furniture for my house”. “Stella, go buy a rose bouquet and expensive-looking jewelry for my wife”.

There were too few interactions with them to form meaningful connections, and by the time they were gone, I felt like I didn’t really know most of them. They never interact with one another, either, and they are completely dependent on you to do even the most basic of things. One of them wanted to throw a party, and wanted me to ask other spirits what they wanted to eat, as if he couldn’t do it himself. One was gifting me food every day, and at the same time was asking me to feed him. By the time they were gone, I was relieved that they weren’t there anymore to bother me with their silly requests.

The first few spirits are probably the best (Deer, Frog, Porcupine), but most of the later ones are not as well written. Bull is just “generic cartoonish mob guy”, Parrot is “dnd guy”. Falcon wanted to build a museum and… That was it, that was his entire personality. I don’t even know what the deal was with Dog, she just acted like a self-righteous and abusive teacher for a while, and then asked me to set sails to the place where souls go. They don’t show any personality beyond their distinctive trait, feeling one dimensional, boring and, ultimately, fake. The fact that huge swathes of backstory for all spirits are hidden away in the artbook doesn’t really help.

And despite you trying to help, none of them really comes to terms with what was holding them back. Most just… Give up and accept to disappear. Which kind of makes sense, considering the actual story of the game (which you can piece together as you play), but it is underwhelming and the exact opposite of what I was promised when I first booted it up, and kind of a bleak statement by the developers.

And that’s the story. The gameplay is just a repetitive grindfest that stretches on twice as long as it should. At first it looks like a cozy, relaxing experience, but soon enough you find yourself working around the clock to grow crops, melt ore, feed herds, check on the spirits daily to give them food and keep them happy, and the situation grows worse and worse as the ship gets bigger, more tasks are added on top of the previous ones, and more spirits join you on your travels. It gets overwhelming.

Aielman15,
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A few years back, dusting off the GameStop bargain bin with old gen games, I found a sealed copy of Zone of the Enders and a used copy of Metal Gear Rising.

I had never heard of the first, and I was only mildly aware of the second one (it was before people started memeing it into mainstream status).

Best summer ever!

‘Cyberpunk 2077’ Used AI For A Dead Voice Actor’s Performance, With Permission (www.forbes.com) angielski

There are uses of AI that are proving to be more than black and white. While voice actors, have protested their performances being fed into AI against their will, we are now seeing an example of this being done, with permission, in a very unique case.

Aielman15,
@Aielman15@lemmy.world avatar

I wouldn’t want my family to make decisions for me after I die, and I think that’s even more true for actors.

“Can we use your grandpa’s voice?”

“No.”

“For fifty bucks?”

“Sure, take it”

Aielman15,
@Aielman15@lemmy.world avatar

Nobody. I died, leave me alone and ask one of the thousand actors out there who are still breathing.

Aielman15,
@Aielman15@lemmy.world avatar

Why do people hope that Microsoft will miraculously revive dormant/mismanaged IPs from their new acquisitions, when they’ve done nothing in the past 10 years but lay to rest and mismanage their own IPs?

They released the Series X three years ago now and are yet to release a single game on the platform that people care about.

Aielman15,
@Aielman15@lemmy.world avatar

The game’s currently sitting on “mixed” reviews on Steam, and the rating is steadily going down (67% at the time of writing, which is an all time low), and that’s on a platform where you can use mods.

I also literally forgot about it. I guess that’s what happens when you release a game that looks and plays like you gave a prompt to Chat GTP and waited for it to build the entire code and voice all the dialogue for it.

Aielman15,
@Aielman15@lemmy.world avatar

Not about videogames, but my master announced that our DnD campaign will be put on hiatus after the current arc is finished, as he doesn’t have time anymore to prep.

I’m considering mastering a short campaign, but it’s really difficult. I don’t like half-assing things and I end up spending too much time on prep, and eventually stop having fun.

It’s also a very heterogeneous group this time around, compared to the last time I mastered a campaign, which makes things a bit more difficult.

Aielman15,
@Aielman15@lemmy.world avatar

Apparently you can unlock the class by finishing the game once, or unlock it immediately by paying for the deluxe edition.

Aielman15,
@Aielman15@lemmy.world avatar

Assassin’s Creed Mirage doesn’t have anything exciting or new to offer. It’s a mixture of the worst parts of classic and modern Assassin’s Creed

without a doubt, it is the sharpest, most succinct entry in the franchise yet. With the best elements brought together throughout the series’ many games

The duality of man.

Aielman15,
@Aielman15@lemmy.world avatar

Stop humanazing big corporations.

MS, Sony, Nintendo and everyone else out there doesn’t care about trust, disagreements, or “playing nice”. They will do what is most profitable for them. Sometimes that means doing something pro-consumer, like announcing the backwards compatibility program or releasing exclusives on PC day one, other times it means buying out the competition and securing exclusive releases to fight off the competition.

The idea that Microsoft of all things would “play nice” with Sony, as if they were children playing together in the schoolyard, is absurd, and revisionist at its finest considering Microsoft’s history in and outside the gaming sphere.

Aielman15,
@Aielman15@lemmy.world avatar

Content data: Video, audio, graphic, text, game level, account information, ad and other content that is requested and downloaded for the features, games, apps and websites you access online.

Network data: Network connections, IP address, requirements and speed of the connections."

Why the hell does HZD, a single player offline video game, need that data for?

Also:

Security data: Information necessary to detect and investigate malicious, unauthorized or fraudulent activity.

Legal data: Information required by applicable law and to demonstrate compliance.

Yikes.

I would have no problem with that if they allowed me to turn data collection off. But that’s just not possible, and you can only ask them nicely to only gather “limited data collection”, without any kind of information about what “limited” and “full” really mean.

Aielman15,
@Aielman15@lemmy.world avatar

I’m playing Valkyria Chronicles. I think I’m about to finish the main story, though I have to tackle most of the extra content still (skirmishes and DLC maps).

It’s a bit strange, but once you stop looking at it as a strategy game, it becomes apparent that it’s actually a puzzle game in disguise, asking you to clear all scenarios in the most time efficient way, which usually translates to very precise troop placement and attacking enemies in a specific order.

I already played VC4 last year and it was a blast. VC1 has a bit less content and the QoL features from the sequel are sorely missing, but it’s still a lot of fun.

Aielman15,
@Aielman15@lemmy.world avatar

I can’t speak about VC2 and 3, but 4 is pretty much the same as 1. The unbalanced nature of the game is part of the fun, for me. And if you’re willing to play the missions “as intended” instead of cheesing them with the attack-boosting orders, imo they provide quite the challenge (especially late-game VC4).

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