I’m thinking of getting a refurbished Steam Deck OLED and was gonna wait till after christmas but if they announce a successor soon the price might drop even further. But then again if I wait much longer I might as well get the new one. The struggle of being cheap lol.
Woof! This would have normally been a “buy it blind and play it all day” situation for me. But I’m going to hold off and wait for some more reviews. I want to be careful to put my money towards games that I’ll actually enjoy.
Impressive list of nominees except for Donkey Kong Bananza?! that just looks so out of place. But it’s gotta be Clair Obscur: Expedition 33 all the way for GOTY.
Wow, the only games I want to see win anything are Dispatch and I guess Peak. Pretty much everything else did not click with me. E33 has really surprised me with how widely praised it is. I put it in the same area as Death Stranding 2. I recognize that people seem to really like those games but I just do not get the same enjoyment and I cant understand what other people like so much about them, other than that they evidently do.
Different strokes for different folks and all that. I personally couldn’t stand The Witcher 3, Red Dead Redemption 2, or Baldur’s Gate 3 despite them being constantly praised.
I bounced off Witcher 3 too. Watched friends play a lot of RDR2, not interested.
…BG3 was sublime though. I don’t even like D&D combat, or ‘Tolkien-esque’ fantasy, but holy hell. It’s gorgeous, it just oozes charisma, and was quite fun in coop.
E33 is the only game to have ever made me ugly-cry, and it did it multiple times. That alone secures it a place in my personal pantheon. I didn’t love the combat system, but I will admit that’s because I have never liked JRPG systems, and I eventually grew to be okay with it. The game was a work of art and passion that we rarely ever see, and that came through.
E33, Hades 2, and Silksong are all very very close for me. I’d probably pick E33 as it’s the one whose story resonated the most but at the end of the day I’d be happy with any of them getting the recognition.
Hades 2 is tough cause after having played early access for so long I’m almost not that excited about it anymore which hurts it a tiny bit, but that shouldn’t take away from the things it did well.
Hades 2 was one of the few games I’ve ever gone back to after playing in early access. And I played it after every major release. I agree though, I was less excited when it was fully released than I probably would have been if I had waited.
Must have been a really slow year given nearly every category has Expedition 33, Death Stranding 2, and Ghost of Yotei. Or the people that came up with the nominees only heard of those 3 games all year and decided to sprinkle in a few randoms to make it look like they have heard of more than 3 games this year.
They’re just games that favor those categories. Even if Peak pops off, it’s not going to win a category like art direction or narrative, ever. It was far from a slow year.
We’ve gotta figure out some rules for what “indie” means. E33 is a great game, but that budget is estimated to be least $20 million. How many small teams are not being honored because a spot is being taken up by a game that has the same budget as a small AAA project?
Indie has always been a way to define a category for creators without access to the same amount of money that publishers had historically provided. Now publishers are both no longer needed to release a game and are very rarely taking chances on original games from first time developers.
A small AAA production in 2000, maybe. E33’s was only a fraction of a small AAA budget today.
TGA calls it “a game made outside the traditional publisher system,” which fits. I’d agree that we’re looking at wildly different scales of production in the same category, though.
Good showing for E33 but I’m not convinced it’s a shoo-in for GotY. It’s a media-run event and the press adored Hades 2. Plus there’s always the Kojima factor and it would be the first time TGA’s ever given it to a studio’s first game.
Looking at the sheer number of nominations e33 has gotten, I would be absolutely shocked if it didn’t win game of the year.
It’s defined as “Recognizing a game that delivers the absolute best experience across all creative and technical fields.”
While that’s pretty nebulous a definition on its own, the fact that seemingly every other creative and technical field has its own award category, and E33 is nominated for most of them, speaks to it being a shoe-in for the GOTY category.
Just give the man a budget and leave him be to create. He has his own cult at this point. Yes, it’s going to be weird, and full of pretty women, but that’s what Taro makes, and we’re here for it.
Not every project works out and he seems to behave like they weren’t so fair enough. He did put out three shitty card games on Steam and that NIER mobile gacha game, so it’s not like he’s incapable of making stinkers too.
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