The $150 isn’t for the new game mode. People that paid $150 were told they’d get all DLC. The devs are saying this isn’t DLC and these folks will get it for free once the game is out of early access. People that paid $250 can play this now. People that paid any more will have some level of discount to purchase access to this mode.
Have you checked 5.11’s Rush 2.0 line? Is that too much Velcro? I’m not sure what size you’re looking for either. The RUSH12 is great for an every day backpack and small enough to easily fit under an airline seat if you don’t have a ton of attachments.
Not all SF is hard SF and not all hard SF goes deep into the basis of its hardness. Sturgeon describes SF as asking “what if” which, at its core, does not require an untenable scientific basis.
People weren’t playing the game Gearbox wanted them to play the game so there were constant nerfs that fucked up everything in the meta.
This looks like a decent video about it; I have not watched it all the way it’s really good and covers all the junk that drove me away from BL3 as well as stuff from Wonderlands I didn’t know about.
His commentary about why they had to nuke all the fun shit in BL3 is equally piece of shit of material. I don’t want to dig through his Twitter to find stuff. Shit was wild. I dislike a bunch of folks in the gaming industry for poor decisions. Randy’s one of very few I will always go out of my way to highlight how much of a piece of shit he is.
Randy Pitchford is a piece of shit and forced out the original Claptrap VA. Jack Black is great and I really respect him because he likes games, seems to treat fans well, and seems to care about the communities he participates in. He should not be voicing Claptrap just like Chris Pratt shouldn’t have been the voice of Mario (aside from Chris Pratt also being a piece of shit which I don’t think Jack Black is).
It just felt weird and off the whole time. Maybe I’m conditioned to be sick of the quips we saw in the preview because of the flood of super hero movies we’ve had. Maybe if I went back and replayed Borderlands I’d respond the same way. It wasn’t violent enough, it didn’t have enough explosions and bullets, the characters weren’t the models and that was jarring. It’s not cell-shaded. I got so fucking annoyed at the trite “it’s in my mouth” scene that I just don’t have a good feeling.
I’m hoping it will be a fun, mindless action movie. I’m reserving judgement other than Randy Pitchford being a piece of shit until it actually comes out.
Peter Molyneux is not involved with the project or studio so there’s actually a chance we might have both reasonable expectations and promises delivered. I had to google around to make sure; initially I was going to link some stuff about how trusting Molyneux is really dumb.
Nintendo does not sell hardware at a loss and, IIRC, has done so since the Wii. It was a huge deal back when they said they were going to make a profit off the hardware. Given how abysmally the Wii U did, I’m struggling to find coverage of that from 15yr ago that I only vaguely remember. However, that’s been a major point from Nintendo since the Wii, so it’s ridiculous that Epic wouldn’t know that and is clearly just an attack on Google (please don’t read that as me supporting Google or Epic).
What value do timegates add to video games? How does the user experience improve or degrade if the wait is, say five minutes? One minute? None? Is the point of the simulation to wait for everything? What’s the difference between acceleration humans can’t survive and wait times? What’s the line we can’t cross to suspend disbelief?
I personally think it’s all made up so making me twiddle my thumbs for 10m is fucking stupid. If I wanted a waiting simulator I’d play “kickstarting Star Citizen” or a less punishing game like Desert Bus.
Like other commenters here, I’m hopeful. Epic owning Bandcamp was pretty scary. They never really answered questions about it and a lot of folks were worried it could have gone the Epic Store route. Epic might honestly have sucked up all the data and sold it off already, though. We don’t know what the future will hold; I feel like no Epic is at worst a neutral position. Songtradr is at least in the music business and isn’t headed by Tim Sweeney.