Games like Shadow of the Colossus or Alan Wake 2 would not have happened without exclusivity.
Bullshit. If the publishers for those games had made them for more platforms, they would have sold more copies. Exclusivity deals are made between console makers and publishers in order to sell more consoles and are an anticompetitive practice that should be illegal.
Frankly I think that’s just recency bias. It’s new so it feels better. Before BG3 came out, most people agreed DA:O was the perfect CRPG, or Mass Effect, and just look at the sheer number of video essays on YouTube praising the quality of F:NV.
New games come along and old games look paltry in comparison. It doesn’t mean the older ones are actually worse. But you’ve had decades to enjoy DA:O, while BG3 still feels like it has secrets to uncover. It still is unexplored territory, and that’s exciting.
Personally I think that once the dust settles, it will be clear that, apart from limitations due to when each was made, these games are all equally 10/10 games in their own way. It’s not as though BG3 is without flaws. And it’s still actively being worked on.
Tolkien also had a deep disdain for industrialism and automation, which is what inspired Isengard in the books. When he says Saruman has “a mind of metal and wheels”, it’s implied that the reader understands why this is a way of saying that Saruman is evil. He definitely wouldn’t be a fan of MindOfMetalAndWheelsGPT.
Not the opposite at all. Tolkien didn’t know what the One Ring was when he wrote about Bilbo finding it in the Hobbit. Good worldbuilding is iterative. Tolkien went way too obsessive for LOTR and a lot of the worldbuilding he did was purely for his own pleasure rather than serving the story.
Keep in mind he didn’t try to publish The Silmarillion while he was alive. And also that the vast majority of LOTR fans don’t give a shit about stuff in the Silmarillion if it isn’t also relevant to the story of LOTR.
I’m a DM, and I can tell you that as fun as worldbuilding is, no information about your world is real until players learn and remember it. And if you try to loredump on them, they won’t actually remember stuff.
Worldbuilding is fun, but it’s also masturbatory; it’s only fun for the DM until the game’s story makes it matter for everyone else.
If I were a JRR Tolkien or Herbert with a universe in my mind, it would be so much more pleasing to make an engine that generates anything from that world that to just write out a few stories from it.
One of the foundational tenets of good writing is that worldbuilding is just masturbatory unless it serves the story. You don’t create a cool world and work your way backward into a story. You create a great story and craft a world around it which supports the story you’re trying to tell. The stories are the thing that have value, not the setting or the lore.
Telling a great story is a completely orthogonal skill to worldbuilding, and it requires creativity, emotion, and authorial intent. Star Wars and Harry Potter are both dogshit at worldbuilding, but they’re both some pretty rad stories. Avatar: the Legend of Korra is set in one of the best fantasy worlds ever created and it was a very mediocre story.
That’s a pretty big assumption about where the tech is going. In my experience it’s really stupid to try to predict what tech will look like more than a year or two into the future, let alone over a decade.
Seriously? You play a game like Baldur’s Gate 3 and your first thought was “damn, this game could really benefit from having less handcrafted, professionally written dialogue”