Back in high school we played a game of this on the occasional Thursday night, as well as one long term game that took months and had its own dedicated wiki. It got pretty surreal pretty quick. The one set day a month you got penalized for each time you used a foreign loanword was brutal.
I really hoped we would get a PS6 with a built-in stern cartoon Xi blocking the buy button in the PS store, pointing his finger and shouting “No! Finish your backlog first!” but I guess you can’t have everything in life
I have a lot of complaints about the HFW plot but the biggest one is the juvenile way they handled Tilda and Sylens in their capacity as prime movers. Aloy herself is a mature character but the story around her takes place in a moral scape of the world as seen by a fifteen year old.
Sylens goes through the motions of his scheme and keeps the same smug “I’m above it all and don’t owe anyone any explanations” attitude, through setback after setback and reality check after reality check. It seemed like the authors were poised to deliver a harsh discussion about ends vs means, how the world isn’t a magical fairy tale and sometimes something important needs to be done that requires dirty politics and won’t be magically solved by the one pure hero pulling the sword out of the rock; but then they squandered it completely and went back to ‘yeah all glory to the chosen one’. Most frustratingly they had their angle right there, already baked in: Aloy fails the first 7 times she tries to do anything, so if Sylens mocked her “this is the real world, you don’t just go ahead and solve things, Hero”, she could legitimately retort “idk, have you tried”. Instead they just don’t have this discussion and go back and forth “screw you I hate you” “behave, girl” again and again in a flat loop.
Tilda was made in the mold of this cringey moral that’s all the rage now about how everyone’s an abuser and when people say “I love you” they really mean “I own you” (as also seen in Dragon Age: Absolution). It reads like someone’s pent up frustration about their controlling parents, like in his nightmares the person who created this plotline sees his mother taking to the air in that floating exoskeleton and shouting amid a rain of guided missiles “you’re going to college and that’s final, submit or perish”.
A lot of games allow you to adjust the difficulty mid game. I’ve played several games on “ultra masochist hard” only to lower the difficulty for the bullshit final boss (looking at you Kena).
That game stands out in so many unique ways. The story is emotionally mature, the challenge is very tough but very fair, and the soundtrack by Lena Raine is gorgeous