Loyalty to a company is silly. A lot of people in games learn that quickly in their career because they want to go work for some huge name-brand company that they grew up with just for them to either harshly reject or if they actually get the job, they end up in a crunch cycle trying to prove themselves.
That said people do have loyalty, to other people and to projects. People are passionate about working with people they like and on projects they care about. You only get to make like 20-30 games in your career. Even then that includes all the games that didn’t release. It only really allows for 2-3 years per game whereas lots of games are 5+ years. Projects and people matter a lot and it’s important to not just chase money. Otherwise, you end up working at Google Stadia or Amazon.
Epic bought a lot of companies over the last few years and they also rapidly grew. en.wikipedia.org/wiki/Epic_Games#Subsidiaries_and… They rapidly grew and bought up all these companies in the last 5 years and are now slimming down these ventures and focusing on what they want to do with them.
I’ve been 10 years in the industry and honestly. This feels familiar. I feel like there was mass layoffs about 4+ years ago. There was also the Boston Games collapse around 2013. I’ve been told this industry has a very direct pattern. Expand, contract, expand, contract. What you want to do is to get into it when it’s expanding and hope by the time it contracts you have enough experience to be vital to a project.
A steam deck works well enough for most games if you want something handheld but dockable into a full computer. Gives you that sort of console feel without a console ecosystem.
High settings for most modern games jump from game to game. I was able to keep high settings with a 1080 and a Ryzen 7 with 64 gb of RAM. I think 16-32 GB ram should be fine but I am also a game developer so I use extra RAM for debug. Nvidia sent me a 3080 for testing last year and I just installed it.
One of the drawbacks of this system is that the client effects and the actual actions are now separated. Before you click, the next tick would happen, your input would be collected from the OS, actioned, and the effects would be triggered. Now, you click, and it’s immediately recorded into a record with its location and direction with a timestamp, the next time a tick happens the effects play. This means the input might feel a bit different due to that separation. It is possible to shoot in between renderings. So you are essentially shooting blind. This is where input might feel weird.
In CSGO if you ever catch yourself clicking that millisecond before you render, knowing that your crosshair will be on the right exact pixel in the next frame you get, and thus getting a headshot, that will now miss.
Yeah, I mean the military training stuff is morally grey. I feel like from my point of view, there would be a much better way of handling it beforehand. Like explaining to the staff that it’s a possibility your work will be used to train military staff.
I think there is a way to get a community full of people who want to treat the game properly. It’s to come out and fully say “This isn’t what we want to see in our community and we condemn it.” It won’t work perfectly but that doesn’t mean you throw away the entire concept of a better community because you can’t have a perfect community.
Hello. I am a game developer of 10 years. For about 1.5 years I worked on Squad, from early 2016 to late 2017. I quit for this exact reason.
I thought it would be a game about honoring the act of war not glorifying it. Especially since we had veterans at the studio on the design. Instead, it was a game about making it feel as realistic as possible while still being fun. 51% gameplay, 49% realism was the motto.
Squad doesn’t do anything narratively. It just sets two factions on a map and says fight. The mechanics feel great, the sound design is the best it can be, and the vehicles give this strong feeling of weight. It’s a great game… that they then took my work, split into another company into a defense contractor, and made a real-life military simulation. Not like Arma but an actual military training tool.
Squad does the same thing, makes you feel okay with fighting and making fun of an opposing force that is just trying to preserve it’s own way of life. It’s not there narratively but in the community which Squad specifically as a team did nothing at the time to stop the racists and created a pro-war community. In fact, in a lot of ways they cultivated it.
So I have a lot of opinions about this subject, pretty scattered but I will leave you with my greatest accomplishment on Squad www.youtube.com/watch?v=7RMnYm_6rNE
Oh, now that’s the real culprit! That honestly explains a lot in this conversation and makes me see you less of a corporate ally for absolutely no good.
I don’t really see anyone defending corporations for no reason. Everyone defends their own way of life or potential way of life.
As for the “piracy le hurts” reports, I’m really not surprised that you were able to find these, mostly debunking anything stating otherwise. As if we didn’t live in the massively lobbied society where corporations and money-turners have much more leverage than anything else to manipulate the popular opinion on anything that “hurts” them, be it anything legit or simply perceived.
I understand your point but that’s kind of a weak, non-factual way of debunking them which what I linked goes into details and facts.
I don’t really know where you got that from, as any content creator that has any worthwhile numbers to make their monetization off of pirated content a problem, in fact, never mentions anything positive above piracy. Following your logic, though, are these content creators supposed to share their revenue with you if their content is based on your game?
I’ve seen it with a few streamers, it’s uncommon but it happens. Now we are also seeing the rise of paid pirating platforms which are clearly making money off of others’ work as well.
By that logic, I can’t share games with my friends and family, because while they get some fun time, they pay nothing for the game. I’m sure that’s an absurd idea even in your books - consider every pirate my friend and family, especially when it comes to distributors and publishers I have zero respect towards. Sometimes a game is made using and promoting damaging practices, and while the game is good in its own merits, I choose not to support the developers or decision-makers monetarily.
Yeah, that’s absurd but the point is that clearly there is a line there and it’s not yours to draw. It’s the copyright holders. Some people offer Steam family sharing, being there physically or sharing a Steam account requires 1 copy of the game and can only be played by one device at a given time. That’s the line developers draw and it’s on us to determine how we want to share our artwork. I think that’s pretty fair. If I make something, I can determine how I share it, it’s not up to anyone else to take my creation from me, even if that means I don’t lose the original copy.
While I’m at it, you seem to think that I just don’t for any games, like, ever, which I assure is not the case - I have a massive Steam library and some games I bought in EGS and GOG, many of which I deliberately bought as a thank you and a sign of respect only after I’ve played/beaten their pirated copies.
To be honest, I’ve met a lot of pirates who don’t buy a single thing. There are certainly lots of pirates who do not buy anything for whatever reason.
Demos, though, are still a minority. Starfield doesn’t have a demo, neither does Cyberpunk 2077, nor most (if not all) games that have prices so high that people even consider piracy in the first place. You strike me as a smaller developer that I may actually find during Steam Next Fest (love these, by the way, barely skip any), and you may provide demos, for which I say thank you, and it may even earn a purchase from me specifically; however, it still is an exception more than it is a rule these days.
Price is relative. I’d also think that demos aren’t a minority anymore by count but by AAA release, you don’t see many demos because they don’t need a demo. Most people will watch the marketing or gameplay videos and decide from coverage. The smaller indie developers (yes, like myself, I tried AAA for a while and felt like a cog, go figure) need demos to prove their game is worthy of a purchase and thus they feel to me that they’ve become more common. Although most multiplayer games can’t really have demos.
If you have any games on Steam, I’ll be happy to check 'em out, either during a Steam Next Fest or otherwise. Most likely, you’re not charging an absurd amount of money on a bunch of lies and predatory practices, and if that’s the case, I won’t think twice about paying for a digital revocable ticket that I can only access via a single gateway (being Steam), but you won’t suddenly find yourself with less money if I simply choose to ignore your game, and you certainly won’t start losing money from your bank account if I download multiple copies for free or even make multiple copies of a legally purchased one.
www.underflowstudios.com/games These are the games I’ve worked on. The Away Team: Lost Exodus is the one that I’ve made within my own studio. It’s likely to be so small to not even have a pirated version. You can buy it on Steam or Itch, DRM-free and with the majority of the code for the missions, characters, and textures in loose files to allow for modification. It’s completely DRM-free and in theory, you can buy it on Itch, and get a Steam key. Both versions will provide you with a game that’s just raw files. I choose to draw my line around consumers having a lot of freedom but I also respect those who don’t.
But if you’re Bethesda, telling me that I can do impressive rounds of exploring in your game for dozens or hundreds of hours, or even months, or even years, but I have to pay at least $60 to enjoy the game… only to find out that this massive selling piece was a lie and once I’ve seen one POI, I’ve basically seen every POI of that type, down to enemy, object, and loot placement, yet you’re still going to sell me DLC(s) and expect the community to patch the game for free, then sorry (not sorry), I’m not going to spend any money on your product and make you think that treating your customers like that is okay in any capacity. Is it possible that I enjoy the game despite such flaws? Yes, but it doesn’t mean it’s worth the money for me, not now, not later, because it’s a predatory marketing strategy built on deceiving your buyers, and if you believe that pirating games hurts the companies that are supposed to receive the money, then I’m happy to pirate their games thousands of times to punish them for being absolute dickheads.
I mean at that point why play it though? I figured you’d just see the gameplay videos and move on. Maybe you want to go in entirely blank? Honestly, and controversially I feel the same about a recent purchase I made, Red Dead Redemption 2. I played 26 hours and feels like I barely played 2 hours worth of enjoyable content for myself. That said, my friend’s dog did the mo-cap for the dogs in the game and it’s nice to see.
The reports and courts supporting those with the big wallets in this regard is identical to how climate change is still a prevalent problem that’s being put on shoulders of people like you and me, while oil and gas and tech and other industries get subsidies, leverage, and bail-outs from the governments.
I can’t disagree. You should always look at these reports and rulings yourself and form your own opinions.
it’s a sale that’s not being made either way, and assuming that the people pirating the content would’ve bought it if it wasn’t for piracy is just wrong as evident by a lot of research done on the topic.
That’s not true at all, the only decent study to suggest that was a self-reported survey done by the EU that has since been debunked.
Determined to make an objective inquiry, the researchers looked at 25 studies on the subject. Nearly 90 percent of these studies (22 out of the 25) found a statistically significant, harmful impact of piracy on sales.
Except I’m not profiting off the games I pirate, and neither does anybody else these days (hasn’t since 00s).
So first that isn’t true, people pirate games and stream/create videos of them to gain views which converts to monetization. Second, we can both agree you gain something. Does money have to be the thing you gain to see it as wrong or does enjoyment count as well? Or are we in such a monetary society that we must have monetary gain from work you didn’t make for it to be wrong?
Overall, the end of it is 1) even if you pinky promise that you wouldn’t have bought the game (the fact you would play it says otherwise because if you would enjoy it then it’s really a dollar price argument, which is covered by sales but ignoring that obvious flaw in your argument…) you 2) still end up contributing to a culture that makes it easier for people to get games for free. You can’t speak for all pirates and there are clearly many (90% of) studies showing that these folks are reducing sales numbers. 3) as we have seen just copying something can hurt something. This is why trademarks and copyrights even exist. It’s why the courts don’t stop at monetary gain. If you break copyright even for personal use, legally the copyright holder can come after you. Sometimes pirating produces an inferior copy of the game. People going to the pirated game to even judge it to see if they should buy the full game means the developers are hoping that the pirates didn’t completely ruin the binary somehow. Demos exist for a lot of games out there since Steam started Next Fest which features demos of games. Steam has a 2-week or 2-hour of game-time refund policy. The excuse of “I just want to check it out” for pirating is debunked.
So as a game developer, pay for our games. If you can’t afford it, message us. Give us insight into what is fair. If your region is unfairly priced, let us know! That stuff is automatic on Steam and sometimes really unfair. Price points can be adjusted until you can feel happy with your purchase. A lot of indie devs simply want people to enjoy their games fairly. After all, we all still have to eat.
Listen, you’re going to make all the excuses you can to protect your mental state. It’s fine. I used to pirate almost every game that came out and then I realized what I was doing. You might or might not one day figure it out for yourself but at this point, you aren’t engaging in good faith.
I’ll leave you with a simple video www.youtube.com/watch?v=TM2R5xV3bbY think of it in the same vain as pirating a video game and you might see how artists aren’t able to continue living off of the games they make.
Being the first and having a review out in the first day a person can buy it are different. Very little care about first. Lots care about being available for when the players can buy it.
Also embargo only applies to those getting review copies. So clearly those studios value getting the game for free rather than buying the game without embargo. A lot of time goes into a review. It could be a week or 2 of work. So still getting the game early is more valuable.
That said the reviewers without embargo are still the ones not trying to get embargoed. So the early reviewers are more likely to say nicer things.
Depends on the scale of the reviewing site. I was a game reviewer for a few years and am now a game developer for the past 10. Reviewing sites absolutely want to keep those review codes and some sites don’t review games that don’t send them codes. Maybe with big titles they will go buy a copy but there is a race to have a review out by the time the public can purchase the game. It’s not money but time. That’s why review codes are important.
That said it’s also about appeasement of the game studios and the player base. 7 is “still good but could be better”. Many review sites are worried about angering the player base or studio and will be very cautious on giving anything less than a 5. For the longest time giant bomb was hated for giving lower scores as a popular review site. Now they hardly do reviews anymore because it’s not worth it.
That all said a lot of review sites are looking at simple recommendation blurbs instead of putting numbers to it. It avoids the whole issue of angering anyone just because number is too low or too high. Additionally as long as the blurb isn’t just the word “don’t” most published and studios will be content with it.