GeekFTW

LineNoise, rok temu

My experience of Epic exclusives is that most become things that are never on my radar again, even after the exclusive period.

I take it from this increase in rates that I’m far from alone in that regard.

ampersandrew, rok temu

All signs point to that program being a failure for them, which is why the exclusivity offers and announcements started drying up, but I guess this is them trying a revised strategy.

Eggyhead, rok temu

Okay, so every time I decide I'm going to play a retro game through emulation, a remaster is announced, giving me access and an opportunity to enjoy a better version of the game instead. It happened with Metroid Prime, Link's Awakening, Baten Kaitos, Trails from Zero/to Azure, FF pixel remasters, KOTOR, Baldur's Gate Dark Alliance, and now this I guess... So for the sake of everyone else, what retro games are worth adding to my list?

technologicalcaveman, rok temu

I'd rather that basics be part of the game from the start. Mass transit should have been there to begin with. Looking at a lot of these dlc it seems like they should've been there by default.

lowdownfool, rok temu

This is wild. I was at the first QuakeCon, when it was called #quakecon and we were playing the Quake 1 test (aka Qtest).

AccmRazr, rok temu

Look at this clown! First, they came out saying they weren’t even fans of the material. You have Henry Cavil in the lead role who is a super fan of the source materials arguing with you and the writers about the show. And then you finish it off by blaming the audience for your decisions. Mind you, the audience you have ultimately attracted is largely influenced by the decisions you have made throughout the production of YOUR show. The audience didn’t make this show, YOU did

Overzeetop, rok temu

If you're the executive producer, it's your fault that your team members fucked it up. If you cannot find a competent writer to properly express nuance on the screen, it's still your fault. You hired the wrong person to adapt the books. You are the boss, the final say, the one-ass-to-kick when things go wrong. The Witcher is not some nuanced story about regional distinctions in low-visibility communities told in short form, which seems to be his only acclaimed experience, followed by several production failures.

This entire interview comes down to "those lazy zoomers don't know how to appreciate good film." From the description of his past, massive failures it appears to be a problem with his process and ability, not an audience problem.