Little Nightmares 1 & 2. Cosmic horror very well executed. No real lore is ever given to you besides what you are shown through your travels and what little environmental storytelling exists.
Everything is vaguely familiar but off. Distorted, but in a way that you’re never quite sure whether everything in the world is supposed to be like that, or if something happened to make it that way. In fact, it’s not even officially cosmic horror. There is no Cthulhu-esque big bad revealed to be behind it all. The visuals of the games could even just be interpreted as on -the-nose allegory and metaphor, with a fairytale like quality, if not for the subtle hints at a prior normality in the background.
If an artist consents to the use of their song in a specific way, it’s not a matter of belief at all. It just is tacit approval. So when the government does this without consent, until the moment the artist responds, the implication is that the artist has approved it. Which isn’t as big a deal if a private entity does it, but it’s a much bigger deal when the federal government does it.
The current government strategy of illegal use of copyrighted materials, often with the full understanding that the artist/IP owners will not consent to it should really have a harsher punishment to it. The DHS social media pages in particular keep using songs without artist permission because they know it will be taken down but by that point it doesn’t matter and they just steal another song. Given that the use of these songs implies tacit approval from the artist, this should absolutely count as the rights of the artists to free speech are being infringed upon.
They are inherently a sweat fest by their very nature and they appeal to a crowd that enjoys high risk high reward gameplay. Theres nothing wrong with you for not being into it. Not everybody’s dream job is being a fireman and running into burning buildings before lunch either.
But it’s one of those niche genres that scratch an itch that more casual games don’t.
I hear the game is supposed to be fun so I suppose I should give it a shot. But styling they give the characters and weapons, essentially junk weapons and raiders from Fallout wearing whatever goofy scrap they can find puts me so far off. Like not everything has to be perfectly tacticool but like, something closer to the Metro series would be dope
The graph will also give you a note that the review behavior is unusual and that there may be review bombing going on.
I think the biggest problem is that when people are just browsing games, all that’s shown is overall and mixed reviews. They should add a similar indicator to that view of the game.
Company gets a cut of every game sold, gets exponentially more customers that use your infrastructure on a day to day basis, meanwhile the price of games stays the same for 20 years and game development cycles get longer while games and infrastructure gets more expensive to make.
I wonder how Valve hasn’t gone bankrupt.
I don’t. Valve is in a super sweet spot in the market and their near-monopoly on PC game sales and lean business model gives them a lot of breathing room that Companies like Sony don’t have. Some benefits Valve has:
They don’t need to worry about R&D of exclusive hardware often sold at a loss just to capture a user base. Valve has dipped its toes into hardware now, but even if its competitors eat some of its market share, those users will still buy games from Steam. On the other hand If people buy an Xbox instead of a PlayStation, Sony just loses out on the customers.
Valve doesn’t have to operate a number of first and second party game studios to churn out increasingly more expensive games.
Steam being a storefront on another company’s operating system means it can rely on external infrastructure to handle user services in many of its games.
Valve is a privately owned company so they have a lot more wiggle room to tread water and “stay afloat” when necessary and aren’t being driven to an ever-increasing profitability targets year after year.
Valve literally can’t charge you for their user services because you’re not stuck on their hardware. The very moment they do, they’ll lose all the user goodwill that has made them the default in their space and everybody can just pack up and move to another storefront or even just pirate their games. Valve has to eat those costs at the expense of everything else.”, they have no choice.
Sony didn’t need that infrastructure in the first place. Things worked great before they charged simply for you to play online
What you’re both failing to grasp here is that the infrastructure existed when it was free. They always needed the infrastructure, and it always cost money. There is no “before”. They were just eating the costs as a marketing strategy to attract Xbox players who at the time had to pay for Xbox Live.
As console adoption increased, so did the cost of the infrastructure and the salaries of the many people it takes to maintain it, it just wasn’t feasible to provide those services for free when it cost so much money to maintain.
it was foolish to start paying PS in the first place when literally every other console had free multi-player
Every other console did not have free multiplayer. Xbox Live always cost money.
You don’t buy… the fact that infrastructure that has to scale to millions of users globally, and the salaries of the many employees who maintain it cost money…? Buddy that shit costs literal millions a year.
Nintendos online user services were never free. They went from not having them, to having them and charging money.
And yes Steam is eating a metric shit ton of costs to give you those services for free. Because PCs are an open platform, they have to compete to keep you on their storefront. They eat all those costs because you don’t have to buy new hardware in order to switch.
These are very, very simple concepts you’re failing to grasp.
Yes, charging customers for a product that costs you money to maintain is an excuse, and a valid one. Sony and Nintendo were giving away an expensive service for free to the user. It was generous, and a way to reduce friction with onboarding new users.
They jumped on board because maintaining that infrastructure has become exponentially more expensive to maintain today than it was 20 years ago.
I don’t even know why you’d have a problem with Xbox charging more for their subscription when you already argue for paid online.
Because unlike paid user services, game ownership is not something that costs them any money. They aren’t recouping their costs for a service they provide, it’s just rentseeking.
Platform infrastructure like PSN costs an inordinate amount of money. People owning games they paid for does not cost you any money.you already made your money back by selling them the ownership.