actual 3D waves. The mesh for the water surface was actually transformed and reacted to your character moving through it creating waves—you could slosh the whole small pools around by running around in them. No shader trickery there.
explosion fireballs that were 3D and freaking reacted to the environment. Throw a grenade on the floor, the fireball is hemispherical. Throw in into a ventilation shaft, you get a pillar of fire shooting out from the opening. It was absolutely mind-blowing!
physics engine that allowed physics-enabled objects to be thrown around, bouncing from the walls etc. In 1999. Bizarrely, the objects couldn't rotate so they always retained the same orientation. It saw use in level design where you could destroy the supports of some stone blocks and let them fall down to block some large pipes.
flame thrower flame reflected from the walls. You could shoot around a corner or set yourself on fire in confined spaces with it.
no apparent limit for texture resolution. I remember people modding it with 1k and 2k textures (originals were like 64x64 or 128x128). In 2002.
Yes, it was cubemaps and with mirrors it was exact same rooms with npc copying your moves, but it looked really good, and no need for rt hardware when we got same picture, remember half life 2 reflections and light, nowadays when AAA game dev make game with such graphics it requires ray tracing and dlss to run properly
While true for straight up reflection and glass the raytracing doesn’t do much despite being much more expensive, it is just jaw dropping to see refraction and indirect lighting. Before to have indirect lighting be vaguely credible it had to be all fixed and baked into the textures. Now we can do that with destructible stuff and moving light sources.
Tbf these games were made with crtvs in mind and crtvs blurred the edges making things look smoother. They only look so blocky nowadays because newer tvs have better resolution so you can clearly see all the blocky edges.
He always called them crtvs because he thought the “tube” part of cathode ray tube was unnecessary when using the acronym. You know it’s a tube because what else would a cathode ray be in?
For me it wasn't a video game but adjacent - I saw Final Fantasy: The Spirits Within in 2001 and thought "well, that's it, computer graphics have achieved photorealism and nothing could possibly ever be better."
I was little when the OG Ace Combat game came out on the PS1 right? Polygonal jet engines & everything lol
Until i was like 11, whenever i saw real pictures of actual aircraft that were in the game i thought they were fake because their engines weren’t polygonal enough 🤣🤣🤣
I used to have a subscription to Game Informer magazine. I very specifically remember the multi page preview for the upcoming game, Oblivion. The pictures they had in there, I swear to God, were actually pictures of trees and grass. The fidelity was unparalleled and it was the peak of what games could do. Idk why that article sticks out so much, but it felt like the top of the mountain.
Hah I get that but it was for half life 1 and I thought the graphics were amazing. Rainbow 6 rogue spear was my first PC game and I thought that was the pinacle of graphics… fuck I’m old.
For me it was reading in Playstation Magazine that there were melting ice cubes in the then upcoming Metal Gear Solid 2. I’m not even sure PS2 had been released yet at the time, so I was just awe struck thinking wow it’s getting so powerful and detailed that even ice cubes in a sink are accounted for.
Man for me it was playing Halo CE on the original Xbox, you could see the individual blades of glass on the ground texture! I was absolutely blown away haha
I remember upgrading to a voodoo 3dfx card around the time transparent water was possible in Quake. The graphics blew me away and the ability to see players in the water gave a ridiculous advantage.
I remember the graphics “blue” me away too - I mean that lovingly. That the graphics colours looked much cooler compared to on the Riva TNT (actually this is my memory of Quake 2 (particularly Q2DM1),).
I can relate, but by the time Oblivion came out I was already starting to get jaded about graphical fidelity. What I can tell you is that I ogled over a similar preview for Morrowind, and actually built my first PC specifically targeting the recommended specs to run it in all its glorious glory!
Christmas of probably 98 or 99, my older brother gave my younger brother and I his PlayStation. He had Final Fantasy VII, and that was probably when I popped my graphics cherry. I was astounded when I went back to play it years later.
It is my opinion that we reached peak graphics 6 or 7 years ago when GTX1080 was king. Why?
Games from that era look gorgeous (eg Shadow of Tomb Raider), yet were well optimized to run high/ultra at FHD on RX570.
We didn't need to rely on fakery like DLSS and frame generation to get playable frame rates. If anything, people used to supersample for the ultimate picture quality. Even upping the rendering scale to 1.25 made everything so crisp.
MSAA and SMAA antialiasing look better, but somehow even TAA from that era doesn't seem as blurry. Today, might as well use FXAA.
Graphics today seem ass-backward to me: render at 60...70% scale to have good framerates, FX are often rendered at even lower resolution, slap on overly blurry TAA to hide the jaggies, then use some upsample trickery to get to the native resolution. And it's still blurry, so squirt some sharpening and noise on top to create an illusion of detail. And still runs like crap, so throw in frame interpolation to get the illusion of higher frame rate.
I think it's high time we should be able to run non-raytracing graphics at 4k native and raytracing at 2.5k native on 500€ MSRP GPU-s with no trickery involved.
GPUs are getting better, but the demand from the crypto and ML AI markets mean they can just jack up the price of every new card to higher than the last so the prices have stopped dropping with each new generation.
We didn’t need to rely on fakery like DLSS and frame generation to get playable frame rates.
If truly believe what you wrote, then you should never look into the details of how a game world is rendered. It’s fakery stacked upon fakery that somehow looks great. If anything, the current move of ray tracing with upscaling is less fakery than what was before.
There’s a saying in computer graphics: if it looks right, it is right. Meaning you shouldn’t worry if the technique makes a mockary of how light actually works as long as the viewer won’t notice.
But there's a stark difference between optimization like culling, occlusion planes, LOD-s, half-res rendering of costly FX (like AO) and using a crutch like lowering the rendering resolution of the whole frame to try and make up for bad optimization or crap hardware. DLSS has it's place for 150...200€ entry-level GPU-s trying to drive a 2.5k monitor, not 700€ "midrange" cards.
But there’s a stark difference between optimization like culling, occlusion planes, LOD-s, half-res rendering of costly FX (like AO) and using a crutch like lowering the rendering resolution of the whole frame to try and make up for bad optimization or crap hardware.
There is not a stark difference if you were to describe the techniques objectively and not twist it to what you feel they’re like.
There are so many steps in the render pipeline where native resolution isn’t used. Yet I don’t here the crowd complaining about shadow map size or how reflections are half res. Upscaling is just another tool that allows us to create better looking frames at playable refresh rates. Compare Alan Wake or Avatar with DLSS with any other game without DLSS and they will still come out on top.
DLSS has it’s place for 150…200€ entry-level GPU-s trying to drive a 2.5k monitor, not 700€ “midrange” cards.
Just because you’re unhappy with Nvidia’s pricing strategy doesn’t mean you should slander new render techniques. You’re mixing two different topics.
Graphics peaked with the original Lara Croft and her triangular bosom. It’s been a steady decline since then trying to make things look round. Just accept the triangles.
My entire life when I heard someon say that it would get under my skin. The only ceiling has always been to make it so realistic, we can’t tell the difference.
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