I think about the creativity that goes behind translations like Ace Attorney, and lament that people are skipping past the nuance. Ex:
The name “Naruhodo Ryuichi” means nothing to me. However, their invented name “Phoenix Wright” evokes a popular image on its own. Same for a great many of their pun names. There are many detective games I’ve played from a Japanese theme where I actually couldn’t put clues together because I couldn’t remember “Udo Rayoge” was a noodle shop owner and “Ero Gotaro” was the police deputy that was taking bribes and was murdered - because those names form no connections in my mind.
Maya Fey eats burgers. Before translation, it was ramen; but at time of release, Americans associated ramen with being extremely cheap and low-nutrition (thanks to Cup Noodles). Changing it to burgers accomplished the intended character theme of being junk-foody and gluttonous.
Quite often, linguistics have some effect on the visual clues of the game (and Danganronpa mysteries just as much so), which means they often have to go very creative with something like a torn letter or a message written in blood.
I think there is a “graphical plateau” to gaming; a universal constant a bit like Moore’s Law. And while it’s not certain, it’s very possible the Steam Deck has mostly moved beyond it.
I definitely don’t think there’s an infinite bound to the detail games can add, especially within the resolution displayed on the Deck. Plus, many formats of games have not been well-served by that sort of extra detail. When a fringe hit like Liar’s Bar, REPO, or Lethal Company comes along, it never really needs the extra horsepower of top consoles. There’s a few rare PS5 exclusives that may struggle on it, but given Cyberpunk 2077 runs on it, I don’t even think we need be too worried.
Is yours part of a larger network? I am lucky to live in a denser area where multiple library branches are within biking distance; and they generally share a database. They also have some options to have items delivered to a branch by request (though, with the demand video games get, this is probably more common for particular books)
This is a problem a lot of VR games have to work with. They work best when you’re not adventuring around, so many of them prescribe a long set of challenges in a small space.
If the Princess gets any kind of ranged ability, you could make it like a sniping “puzzle” game across a wide parapet. And, if trying to elongate the game, come up with story reasons why just as the Knight opens the gate to her keep, he’s discovered and an evil dragon/Baron whisks her to a different tower. (Kinda like what Super Meat Boy does every level)
Oh, haha, a souls game but with crabs, funny parody haha!
Except, no, while it does seem like it would be compared to SpongeBob humor, and it does self censor “shit” to “ship”, the themes of the story go well beyond just “Crab must find his stolen shell!”
It takes time to ramp up but in some ways it feels like a better-written game than most Soulslikes (to me, that’s not a high bar given the way many of them wrap their lore in many layers of obfuscation that you don’t get to enjoy in the moment)
Watching speedruns and trying NG+ is also a lot of fun.
I’m mostly PC. I have a PlayStation, and I just like the rental tryout system of PS+. I still think it’s a nicely cost effective way for someone new to gaming to try a lot of stuff.
But yes, even then you can often get much of the same through Steam key bundles.
I still don’t understand the sentiment that turn-based doesn’t sell. We just got Clair Obscur breaking expectations.
Part of it is, you have to make the combat interesting visually, tactically, and sometimes even tactilely. Some games get that right: Persona 5, Like a Dragon, etc.
I would also go on a limb and say that 99.9% of strategy in turn taking games is terribly designed. Buff attack, use strongest attack. The one that I really wanted to see more of is a system like Cosmic Star Heroine’s.
I mean, there’s a fair reason most exclusivity is dead.
There’s a lot of cool PS4 games that just don’t run well on the PS4. So, it’s a much nicer experience to get them on PS5, at 60fps, full resolution, with instant load times.
It’s also honestly kinda nice that someone with low income can buy a used PS4 and still join for most of those games online.
Recently, Clair Obscur told another story of ex-publisher success. So far, we only know of the review success and I don’t actually know if it’s a financial success.
If it is, I can only hope it leads to some investor understanding in just how done the world is of lottery-planning in the game world; seeing one victory, and having every single publisher chase it.
That’s the thing, though. I respect the analogy, but the equivalent here would be if the game was also checking your drive for other games, for financial apps, scanning your browser’s cookies to see which sites you visit, etc.
If, while playing a singleplayer game, they’re recording what actions you take within that singleplayer game, it’s understandable some people wouldn’t even want that - but I also don’t see that as nearly so invasive as other data travesties. Worse, highlighting it here feels like a “cry wolf” situation where you’d desensitize people to the most harmful privacy breaches.
Based on the article text, it’s only citing things like how long you play. I thought most games collected telemetry like this?
Don’t get me wrong, if it was scanning your drive to sell data to harvesters, I’d be extremely unnerved. And you should definitely be able to turn this off. But I feel like even Valve has recorded things like “60% of players quit after losing to this boss”