Hi-Rez is the king of creating a new game, pretending it’s their “big thing” and then enshittifying it while their good devs are moved to the next “big thing.” They are fad chasers who are constantly in a race to monetize a market and then move on.
I’m glad it caught up with them. Couldn’t have happened to a better company. Apologies to the earnest designers and programmers that got caught in the crossfire.
Kinda hype. Had my eye on this one for a while. I’m a little cautious what “early access” means in this regard, though. I’ve had altogether too many rogue-likes release into early access without enough content to justify it.
Problem is, I own most of the games on the Steam front page, so finding new and interesting games is getting difficult.
This. I feel totally underwhelmed by the sale this year because everything on the front page I already either own or have no interest in. I know the discovery queue exists, but it primarily tries to feed me the same jank I already know exists.
While it would have been nice for OP to mention this, honestly dude, fuck off. People can decide for themselves if they want to install Epic for a free title without this kind of toxic, elitist discourse.
And originally created by a university design team with a female design lead, at that.
Even as Portal 2 adds male characters, one is greedy and responsible for all the conflict in the franchise, acting as something of a caricature for masculine stereotypes, and the other’s only defining trait is that he’s an easily corrupted idiot.
Portal is perhaps the best example of, and should be held up as the golden standard of, feminism in gaming.
I think it has less to do with gender politics and more to do with delivery, though.
The writing was just better. They make Joel to be a complicated, sympathetic character, and create a situation in which, even as Joel/the player murders relative innocents, you know he is doing a bad thing from a complicated and genuine love. Then, they take that character and reduce all his love to “he did a bad” and shoot him, make you chase his killer for half a game, and try to make you sympathize with his killer after the fact? And it’s all tied together through this tired, “cycle of violence” trope that another major post-apolcolyptic zombie survival media has already bastardized and beaten to death.
The “fans” who defend Joel as the hero are insane, on that point I can’t agree more. But I think the dislike of Abby and the love of Joel is deeper than “guy good, girl bad.” I’ve seen far fewer complaints (though not zero complaints) about playing the notably more “woke” surrogate lesbian daughter than about playing as Abby.
As an aside, I’ve been thinking recently about how the game would feel if you spend the first half of the game as Abby, chasing her father’s killer, only to have the rug pull later that the killer is Joel. Then, you spend the second half playing as Ellie, dealing with the consequences, while the player is trying to reconcile what just happened. Though it prob would have been harder to sell a game that doesn’t open with Eillie and Joel.
No. They’re whining about Witcher 4 using Ciri as a protagonist because they think she was made ugly.
Attractive women designed solely to be the object of male affection are allowed to be protagonists. When a woman stands on their own as a unique complex individual, they take issue.
One winner and five nominee’s. Let’s not downplay being in the top 6 nominations for “best game of the year” as “losing.” It’s an incredible achievement no matter how you look at it.
On the other hand… this feels like I would be calling it out as manipulative FOMO bullshit were it any other company.
While I hesitate to type this as it might be perceived as viewing a corporation as a friend, the intent matters, and GOG has a different history than the majority of FOMO abusing game companies. Did they identify that this is probably an opportunity to push some sales? Sure, probably. But I am chill permitting them that right when they’re visibly working to remove FOMO as a commercial strategy.