Don’t get it wrong, the reason The Crew was the perfect game to start the movement is solely because Ubisoft is french, a country that has pretty strong consumer laws that they aren’t respecting.
They are pirated, what he means is what some community manager already said back when this was about Helldivers 2, made their job easier to ban people with playstation accounts.
Yeah, release groups are still packaging ryujinx with new switch games, it’s just that good that it still works with games released after it went under.
The fear of hallucinations is so great for a commercial company that when square enix tried it on a remake of a detective game of theirs, it became the poster child of how awful LLMs are for videogames, it’s one of the worst rated steam games, it’s like talking to a wall because they nerfed it so hard it’s worse than a normal text parser.
I remember when this privilege was reserved for free games since it was how they made their money, but like Sterling says: they can’t just make money, they can’t make enough money, they gotta make all of the money.
This game is technically the same price of other metroidvanias like Bloodstained, in the US maybe, because here in Brazil this game is almost the same price of a regular AAA, they didn’t localize the price at all, so I wouldn’t buy it until it gets a deep discount since I don’t buy any overpriced AAA on release anymore either.
The price here is so high that even the 40% steam debut was still too much for it, I can buy 3 Bloodstaineds without any discount for the price of 1 Lost Crown.
What do you even mean? Hollow Knight was a massive success, so was Bloodstained, Ori, Metroid Dread, etc. People can’t stop memeing that Silk song is not releasing because they refuse to forget about it, Ubi’s reputation is just in the gutter so to capture the audience that enjoys these games again they have to do multiple good things, not just one and give up.