What if that digital file is the title to your car, deed to your home, your college degree, passport, driver’s license, etc?
If you destroy the hard drive they’re stored on, it’s no different than burning a piece of paper they’re written on. Data is always stored in a medium, whether it’s paper or a disk drive. So for digital files like that, you would choose a storage medium that is rated for long-term storage and put it in a fireproof safe. Done.
You’re basically asking “what if you lose the title to your car?” Well, there’s plenty of ways to get a replacement title, even though they’re not easy or free.
The bottom line is data is real and it’s always in a storage medium. The storage medium is what you should be worried about more.
Oh wait, that NFT you “own” is stored on someone else’s server? Oh wait, I guess you don’t own it then, because that data is on a hard drive owned by someone else in the “cloud” and if they destroy that drive, they also destroyed the item you ostensibly “own.”
Oh the server with my Title Deed for my home went down and now I have no proof I own my own home? Probably should have kept a copy of the file locally!
There is nothing interesting about NFTs because they’re a fundamental, nay, purposeful misunderstanding of what data is and how it works.
I can own digital files just fine without needing all that unnecessary bullshit. It’s the copyright cabal that says I don’t “own” them.
Funny, because I have the files stored on a physical drive. If that drive is destroyed, so are the items stored on it. Ergot, data is real and physical. You can already own it physically. NFTs are actually just one more way for wall street to justify the bullshit ways copyright doesn’t work.
Because nothing is stopping digital “ownership” from existing as it currently exists, except people who don’t like the idea that data can be copied infinitely at no cost.
This is why I never took off my pirate hat, because it’s just a bunch of tomfoolery to make you think things don’t already work this way. They do, computing always allowed data to be copied infinitely. It’s jerks who try to code locks to hide them behind who are the problem.
It’s also why I buy games at GOG, because they respect this. They sell games with no DRM and understand that this means piracy will happen, but do it anyway because it’s the right thing to do.
NFTs and how they only hold enough data to point to a URL aren’t doing the model any favors. NFTs have been a joke since they were initially released. They don’t show ownership of an item, they show a re-direct to a URL where an item you might be able to claim is yours exists.
The people who bought into the idea of “smart contracts” in NFTs got taken for a fucking ride. There’s simply not enough BITS to be able to store such data within an NFT. The best they can do is a URL.
They were selling the idea to Superstonk investment idiots that the “future” of game sales was in NFTs where you would “really own your copy of the game.” Which… to anyone who knows how NFTs really work is such a sick fucking joke as to pawn that idea off on to consumers.
Six months ago Cohen didn’t give a flying fuck about disc drives because he was selling the idea that you would soon buy all your games from GameStop on an NFT marketplace that they recently had to shut down because the SEC is cracking down on NFTs as Securities.
He gives a fuck now because his golden goose got shot in the head.
He’s only saying this about disc drives because six months ago he was saying “You’ll be buying all your games as NFTs from GameStop!” (notice he didn’t give one fuck about physical media six months ago?) and then when that went tits up and they closed their cryptocoin and NFT wallets, they need another way to get people to keep buying stocks. They’ve got those Gamestonk idiots still in a frenzy and they haven’t yet woken up to being taken for a ride since the NFT dream turned bust.
I thought GameStop was going all in on NFTs and bragging about how it was going to revolutionize the gaming space because you could be more “invested” in the things because you really “own” (hahahaha, fucking as if) your own copy.
Oh, wait, *checks notes
They totally are winding that down and going “whoopsie doodles!”
Ryan Cohen making a quick spin because he’s a fucking idiot, and the only thing he has to sell is an “idea” of a company that respects its consumers. GameStop ain’t it Superstonkers. This guy literally went from “You’ll be buying all your games as NFTs at GameStop” to “Errm, yeah, we need physical drives, you know for the gamers, not so we can continue ripping people off with used games.” What a fucking joke. He didn’t care about physical media six months ago because he was all-in on NFTs.
GameStop gonna get Toys ‘R’ Us’d hard. If this is the best Cohen’s got right now, they’ve got nothing.
I’m not sure they knew the consequences, I think at the time, like me, they actually had more faith that the majority of Americans would read it as what it was. As a young person, I definitely thought there were more thoughtful people.
It’s easier to critique now, 20 years on, because we’re not experiencing the same things the video game industry was at the time. From the insufferable Jack Thompson to Hillary Clinton wanting to ban GTA over the leaked Hot Coffee code that wasn’t in the main game, but locked away in files inaccessible to most, the industry was under attack and being blamed for all Americas ills. Several games, but mostly GTA and Postal, were holding up a mirror to American society and saying things similar to what I said in my last comment: “America has a bunch of ignorant violent gun-toting people living in it, and they were there before video games were, it’s a violent consumer and celebrity obsessed society, so America maybe you need to sort your problems first before blaming us.” At the time, a fair stance to take, but 20 years on, a decision that lead to a lot of negativity and more mixed feelings on the legacy of the game due to it.
It was easy to think back then that acceptance of gaming in the mainstream wasn’t a given, but games now out-profit movies, and some of the biggest “blockbusters” are games. We were honestly probably worried over nothing.
but that was an intentionally outrageous caricature of the narrative being served by the US government
I actually agree with you here, but I had a serious experience years later that changed my mind on the whole thing. It’s perfectly fine for folks like us who have any kind of media literacy to understand that it’s maybe not meant to be making fun of Muslims, but rather America, but…
GTA 5 has this torture scene, right? It hit me like a brick wall one day when I met people who read that scene way, way, way differently than I did. I had read it as an indictment of torture. The problem is, there’s way too many people who think that scene is cool as fuck and want to do that kind of shit in real life. It’s like the people who look up to Scarface from the movie Scarface. Like these characters aren’t good people or people to look up to, but because America is full of violent uneducated fucking yokels you had a bunch of absolute fucking idiots taking the exact opposite message from it. ( I mean, just look at Trump voters…)
You can’t control how others interpret your art, and if you’re not clear enough, you might end up in a similar position as the people behind Postal 2 and GTA 5, where you have a lot of folks totally misinterpreting what you’re trying to say, and then deciding it means vile, horrible things are not just okay, but cool.
It’s actually something I worry about a lot in life, because I’ve had so many times where I thought I was teaching a person one thing, but it turned out I was accidentally teaching them something horrible. In a country with basically no media literacy and an average 7th grade reading level, we can’t actually take it for granted that absolute fucking morons might misunderstand us.
The problem in particular with Postal 2’s caricature of the views of Muslims in America is that functionally, most Americans who played the game never understood that intent or cared. So when it came down to it, they further entrenched those ideas in the American consciousness, instead of them being read by most people as a critique. Was that their intent? No. Does it matter that the opposite happened? Yes.
It’s more that there’s actually games that rise to the level of great art that are designed to be fucking stupid, like Katamari Damacy, which leans hard into absurdism, and is often quite funny, but more importantly the gameplay is original, brilliant, and fun. The art direction in KD is also off the charts quality, especially the music, all of which was written for the game.
Look, I loved Postal 2 back in the day (I always sort of rolled my eyes at Postal, but 2 seemed less serious and more tongue-in-cheek). I might even replay it someday, but it’s not great art. Especially now it’s ugly, it’s clunky, more importantly it continues to be a buggy mess. Not even a Gary Coleman cameo could save it. They were fun games for what they were and for the time they existed in, and it’s okay to remember them for that, but it’s a little absurd to just act like the world hasn’t moved on and that they were great art to begin with. Art direction was bad, level design was bad, there was a lot of bad stuff about the game, beyond even getting into the edgelord shit.
Bad art is okay. I love B-movies, but we don’t have to pretend they’re anything other than what they are: B-movies.
Glad to know you never grew out of your edgy gamer bro stage. Being able to pee on things is peak gaming, amirite? /s
I’m literally saying this as one of the few people who watched the Postal movie more than once simply because it had David Foley in it and I’m okay with bad movies.