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ashok36, do games w ROCKSMITH 2014 LEAVING STORES - Ubisoft

The ozzy ones aren’t even ozzy songs. They’re from an album of covers that ozzy did. Total clown show.

Not to mention, a majority of “songs” in their database are only chord charts which are barely useful for someone that actually wants to play a song on their instrument.

ashok36, do games w ROCKSMITH 2014 LEAVING STORES - Ubisoft

Dude rocksmith+ has zero songs from either jimi Hendrix or Chuck berry. Moving closer in time, no green day or sublime. Even closer, no Paramore or fall out boy. I don’t know who rocksmith+ is supposed to be for but… It’s not people that want to play guitar.

ashok36, do games w ROCKSMITH 2014 LEAVING STORES - Ubisoft

The Rocksmith+ song selection is garbage. Don’t bother.

ashok36, do gaming w Buggy games should be 100% allowed to be refunded.

You say that rolling back to a previous save “didn’t fix it”? Do you mean that the error happens every time you reload? How far back are you going in time?

ashok36, do games w Factorio Friday Facts #378 - Trains on another level

Fine with me. Dyspon sphere program does the whole build up instead of out thing and I don’t like it as much. I think satisfactory started the trend though.

ashok36, do games w Larian's unfair advantage - Credistick

The idea of starting off being ‘crowd funded’ to put out your first couple of releases until the big money investors decide you’re worth risking anything on is how almost all artists across mediums do things in a capitalist system. As someone from a music background, the parallels between a band scraping together enough money and time to self produce a demo or an EP vs. an indie studio working on a game after work hours is pretty strong.

Honestly, the patron model is probably the best solution that I’ve seen. The problem is that it’s become so tied into patrons receiving weekly updates or rewards that it’s hard to turn that viewpoint towards longer term projects that don’t necessarily lend themselves to those kinds of short term updates.

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